碩士 / 國立中央大學 / 客家政治經濟研究所 / 105 / In the development process of overall festivals, there are still not much in-depth study of festivals transformation process, when old festivals transform to the new and create a new activity significance. The transformation of festivals type in the studies, they often use a static way to directly identify the festivals only belong to a certain type after the festivals transformation, but the dynamic process of festivals have been ignored. In the fact, festivals in the conversion process may contain with the various types of coexistence. Therefore, we used in order to overcome the static definition of the past which by employing the concept of “circuit of culture”, proposed by Paul du Gay et al. in 1997. The concept of “circuit of culture” studied according to five basic and interlinked dimensions: production, consumption, regulation, representation, and identity, which can be clearly distinguished out the festivals which all kinds of meaning and fuzzy abstract cultural connotation. In addition, a case of Dragon Boat Festival in Longtan Taoyuan is unique, that it is not only the representatives of the “Festivalization” but also the “Hakkalization” phenomenon in traditional festival, and so we choose it. This dissertation tries to point out that the study of previous festivals cannot easily be found the transformation and re-creation of local festivals. We expected to use the views of our thesis, which to open the different directions of festive research as a reference model for future researchers.
The approaches are of qualification, including literature analysis, qualitative context-analysis, in-depth interview and questionnaires, which can explore the factors involved in the process of transformation and re-creation of local festivals. Through the study of this case, we found that classical history of Dragon Boat Festival in Longtan Taoyuan has been had a new stage of change ,including “Folklore religion”,
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“Sports competition”, “Sightseeing” and “Hakka affairs” which is the new meaning of this case. The development of dragon boat races are became more “professional” and “competitive” in this case. Secondly, when Hakka Affairs Council involved in the process of transformation for the Dragon Boat Festival in Longtan Taoyuan, which has been had another Hakka activity status since 2009. However, it also has Hakka identity problems at the same time. Thirdly, the Hakkalization of this festival has been faced challenge such as comes from the local and outsiders, who thought the activities are belonging to Hakka activities or not. However, we found the new directions which can explain these perplexities from the questionnaire and in-depth interviews with the results. Fourthly, faceing with the challenges of “Hakkalization”, we need to give our thinking more opening and diverse about attitude for identified the activities. The development of sports have been closed to Hakka life for a long time which we found the fact from the study. Therefore, this is a reason as a new way to the shape of Hakka festivals, so that everyone for the Hakka impression is not only focused on customary use of the Hakka elements and the flowers of the Hakka symbol. Hakka living in all aspects of our lives as Dragon Boat Festival in Longtan Taoyuan, which has been held in Hakka villages for a while, on behalf of the Hakka people in the successful development of sports experience. We should not confine to a particular impression of Hakka so we create a new thinking by the case study which can be a permanent extension and inheritance of Hakka culture.
| Identifer | oai:union.ndltd.org:TW/105NCU05774019 |
| Date | January 2017 |
| Creators | Yi-Chun Liu, 劉怡君 |
| Contributors | Shou-Cheng Lai, 賴守誠 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 176 |
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