碩士 / 國立交通大學 / 音樂研究所 / 106 / The rise of serial and aleatoric music has revolutionized classical music. Composers of the 20th century have pursued the new forms, new expressions of the composition, even though the sound itself. By rearranging the sound in serial and aleatoric music, the combination of notes flow freely in time but with uncertainty, conveying to the listener a new concept of music with impact and strength.
Zyklus (Circle) is a percussion solo work composed by German composer Karlheinz Stockhausen in 1959. This work combines the elements of serialism and aleatoric Music in the setting of instrument or the arrangement of the musical elements, giving the player a large range of interpretation through the addition of chance procedures. Within this thesis, I will discuss the composition, background, and interpretation of this piece.
This thesis is divided into five chapters. Chapter 1 presents the method and the motivation of my research. Chapter 2 introduces the composer's life and his musical concept, briefly addressing background of the serialism, aleatoric music, and life works. In chapter 3, I will analyze the work Zyklus and explain the instrumental setting as well as the piece's underlying serial and aleatoric structure. In chapter 4, I will discuss how Zyklus is interpreted through instrumental selection, period linkage, and different types of structural utilization. In the final chapter, I will summarize my findings and assess my experience with this research. Chapter 5, I will summarize my findings and assess my experience with this research.
| Identifer | oai:union.ndltd.org:TW/106NCTU5248014 |
| Date | January 2018 |
| Creators | Liu, Chao-Ju, 劉昭如 |
| Contributors | Hsu, Bor-Nien, Tung, Chao-Ming, 徐伯年, 董昭民 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 84 |
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