An Analysis and Interpretation of FranzJoseph Haydn《Cello Concerto No.1 in C Major, Hob. Vll :1》 / 海頓《第一號C大調大提琴協奏曲》 之研究分析與演奏詮釋

碩士 / 國立臺北教育大學 / 音樂學系碩士班 / 106 / Haydn (Franz Joseph Haydn,1732-1809) was born in the end of 18th century. This is a moderate generation, the form is not as large and complex as Baroque music, nor the personal dreams, pain, ideals and vision in romantic nineteenth century. People in this era is focus on the melody, main tonality of the music, because they thought that the purpose of music is to entertain each other together. Haydn is a representative composer of this era, so as his own bold and vigilant personality. He loves to have adventure but not as rebel as Mozart(Wolfgang Amadeus Mozart,1756-1791). The way Haydn composed is also keeping to the working routine, stable but not rush. This deeply earned him respect and love from the people, and the music taste of the people in those days. You can feel the light and brisk music that Haydn wrote in his symphonies, chamber music, Mass and the two great oratorios. And no matter how long the earlier works were written, the way and the style never changes. He had written more than 120 symphonies over his life, especially when he hold a post in Paul Anton Esterhazy Orchestra for thirty years. He always experiment every composing possibilities in the music. Eventually, he had composed a series of great symphonies that people loved and established the form and the structure of the symphony. This earned him the title of “Father of the Symphony”

Identiferoai:union.ndltd.org:TW/106NTPT0247005
Date January 2018
CreatorsShi-Jie Chang, 張仕杰
ContributorsSu-Jr Dzeng, 曾素芝
Source SetsNational Digital Library of Theses and Dissertations in Taiwan
Languagezh-TW
Detected LanguageEnglish
Type學位論文 ; thesis
Format84

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