碩士 / 國立臺北藝術大學 / 戲劇學系碩士在職專班 / 106 / After the recovery of Taiwan, Shi Chaoyang’s father, Shijiaojiao and several folk artisans in the village, advocated the restoration of the activities of the town’s annual fifteenth of the first month of the month and reorganized the battle, and then let the long-lost car drum art reappear, when Shi Chaoyang thirteen At the age of one, he was involved in the training of the drum art under this karma and carried out his artistic career.
In the early days of the recovery, the folk culture was revived, and the activities of the welcoming events were loud and loud. The various ceremonies were very lively. Mr. Shi Chaoyang experienced the traditional car drums, the drums and drums, and the education of the children’s dramas. The memory is still fresh, and the drama life of the children's troupe is vivid. This is the most vibrant era. It is also the time when Mr. Shi accepted the most baptism of culture. Shi Chaoyang has kept many traditional small plays. The memory is still vivid, and many of his fascinating pieces are lost. It is still preserved and vivid.
Mr. Shi Chaoyang, a native of Yagou, Hemei Town, Changhua County, has been in contact with the drum art for thirteen years old. He has retained the aesthetics of the drum art tradition and his original performance style. One of the most important inheritors of art. Explore the performance of the car drums (heads) from Shi’s body/steps/art value/classic preservation. Through the observation of Mr. Shi's performances "Revolt in the Sea" and "The Peach Blossom Ferry Crossing", he analyzed the fascination of his performing arts.
| Identifer | oai:union.ndltd.org:TW/106TNUA1609003 |
| Date | January 2018 |
| Creators | WANG, YUNG-CHING, 王永慶 |
| Contributors | LU,AI－LING, 陸愛玲 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 163 |
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