碩士 / 南華大學 / 文學系 / 107 / This study uses the literary perspective of "fantasy" and the setting of "images of God beast's" as the research focused. Through they way of culture exchange between China and Japan, combined with Frye's "Mythological archetypal criticism", Jungian psychology and Sheng, bang-he's "Inner-core and Outer-edge" hypothesis, this paper explores the texts of the archetypal culture 《Classics of mountains and seas》and the deformation culture 《The twelve kingdoms》, and carries out the cross-cultural research module of the images, archetypes and symbols of God beasts.
According to Frye's "mythological archetypal criticism", the "images of God beast's" is divided into three major aspects respectively: Historical criticism corresponds to the analysis, induction and reorganization of literature. Ethical criticism is the discussion of the symbol and archetype of the God beast's images. Archetypal criticism is an in-depth study of the whole culture, with the Sino-Japanese cultural theory of Sheng , bang-he's "Inner-core and Outer-edge" hypothesis, to clarify the cultural thinking behind the "images of God beast's" and the core culture and the edge culture. Focusing on the deep cultural connotations of the image and symbolic significance of the "God beasts", this paper summarizes the overall intention for the law and trajectory of human deep consciousness.
| Identifer | oai:union.ndltd.org:TW/107NHU00076003 |
| Date | January 2019 |
| Creators | JIANG, SHIN-FANG, 江欣芳 |
| Contributors | CHEN, MING-CHIH, 陳旻志 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 147 |
Page generated in 0.0063 seconds