This dissertation addresses the problem of raising consciousness in Walter Benjamin's writings, which focuses on the problem in his major early works, and in his later writings on photography, film, and mimesis generally. It is a closely-read interpretation, following Benjamin in his attempt to present a historical-philosophical treatment of the literature he was examining. However, it moves away from Benjamin's methodology at critical moments, presenting its own reading of the raising of consciousness as a problem not only for political theorists, but for those interested in the philosophy of history as well. The chapters focus on Benjamin's key major early works, the untranslated "Concept of Art Criticism in German Romanticism," his dissertation, and the essay on Goethe's Elective Affinities. It contains a lengthy chapter on Benjamin's famous Trauerspiel book, and two on mimesis and the essay on the work of art in the age of its technical reproducibility. The dissertation casts these works in a different light, one under which they have not been examined previously: this light bears the shadow of Kant. Although this is not a dissertation on Benjamin and Kant, the place of the subject and its historicity is considered when contemplating the raising of consciousness at stake in each individual chapter. The question of temporality is present in each case, and marks the presence of Kant as the figure who attempted so articulately to bridge reason and history. Benjamin realized this, and so his attention to consciousness and its temporality is so keen in all of his writings. Conclusions are always difficult to enumerate, especially when a work sees itself as necessarily unfinished. It is the opinion of this author that it is evident, in each chapter, both how Benjamin wrote about raising consciousness, what that meant in each case examined, and how this author interjected to highlight, stress, and invent new ways to read what is often so terribly obscure.
| Identifer | oai:union.ndltd.org:UMASS/oai:scholarworks.umass.edu:dissertations-7289 |
| Date | 01 January 1996 |
| Creators | Hobby, Jeneen Marie |
| Publisher | ScholarWorks@UMass Amherst |
| Source Sets | University of Massachusetts, Amherst |
| Language | English |
| Detected Language | English |
| Type | text |
| Source | Doctoral Dissertations Available from Proquest |
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