<p>During my studies to become a guitar builder at Carl Malmsten CTD, I have found an interest in the construction of the classical guitar. I am fascinated by the simplicity of its construction. A simplicity that becomes more complex when you start to study it in detail.</p><p>In my final thesis I will not try to explain this complexity. The subject is to investigate two different principles regarding its construction. I would like to find out if the sayings concerning one of the principles will yield a guitar with greater ability to produce volume and projection.</p><p>At a close distance the difference between the guitar’s volumes is not to speak of, but a significant difference can be seen regarding one of the guitars ability to project its sound. In their nearness tonal aspects becomes in some extent legible. Even if the two guitar’s character of sound is alike subtle tonal differences exists.</p><p>The existing differences between the two principles of construction are regarding the two guitars that I have built. The subject for the examination is to conclude the guitar’s ability to project their sound nearby compared to at a distance.</p>
| Identifer | oai:union.ndltd.org:UPSALLA/oai:DiVA.org:liu-9855 |
| Date | January 2007 |
| Creators | Gramstad, Lloyd |
| Publisher | Linköping University, Carl Malmsten - Centre for Wood Technology & Design, Carl Malmsten - Centrum för träteknik & design |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, text |
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