In an attempt to narrow a perceived gap between two literary fields, this thesis provides a comparative analysis of Luis Alberto Urrea’s The Humminbird’s Daughter, and Leslie Marmon Silko’s Almanac of the Dead. I explore and critique the ways in which Luis Alberto Urrea mobilizes mestizaje and Chicana/o nationalist rhetoric. I argue that mestizaje stems from colonial representations that inscribe indigenous people into a narrative of erasure. Furthermore, I address Leslie Marmon Silko’s critique of mestizaje within Almanac of the Dead. / text
| Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/26393 |
| Date | 09 October 2014 |
| Creators | Hernandez, Zachary Robert |
| Source Sets | University of Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
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