Nostalgia is a term that is often used in literature and popular culture to connote an individual’s relation to a specific place, time or object, however, despite its use in literary analysis, it is often overlooked as a rhetorical devise employed to connect to, persuade, and influence an audience. This paper analyzes the poetry of Arabo-Siculo poet Ibn Ḥamdīs and his use of nostalgia in his poetry to influence and persuade his audiences abroad. I look to the sociologists Fred Davis and Svetlana Boym and their descriptions of nostalgia as being either public or private, restorative or reflective. Drawing on these terms, I propose that Ibn Ḥamdīs writes a relational nostalgia, that is, a nostalgia that he writes into his poetry not just for cathartic, personal benefit, but as a persuasive, rhetorical measure for his audience, and in this way he builds a collective, shared memory between himself and his audience. In addition to nostalgia, I will also be looking to Suzanne Stetkevych and Samer Ali and their work on the socio-political nature of Arabo-Islamic poetry to see how Ibn Ḥamdīs creates and employs this relational nostalgia for his audience and the effect it has on them. / text
| Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/ETD-UT-2012-08-6174 |
| Date | 06 November 2012 |
| Creators | Keener, Kaley Tamara |
| Source Sets | University of Texas |
| Language | English |
| Detected Language | English |
| Type | thesis |
| Format | application/pdf |
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