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FOLK/AMERICANA

Folk/Americana is a novella that follows Tom, a Director of Photography and cameraman, and Ron Da Zont, a reality-TV bail bondsman, as they travel across America pursuing a criminal. The story is told from Toms point of view as the two protagonists struggle with making the show and their own apathy and identity confusion. As these characters make their way across America, they continuously encounter digression and distraction and must work to overcome their own understanding of themselves as fictional characters. Classic American detective fiction and road novels largely influence the progression of this novella. References to pop culture are a major element of the narrative progression as Tom, the narrator, constantly acknowledges popular songs alongside classical literature and history. The first major influence on this work is that of Erving Goffman. His sociological ideas about the self in society and the theatrics of life are a major thematic undercurrent to this work. Stylistically, Ive taken from every author Ive ever read in terms of my telling of the story, but most largely from Thomas Pynchonwhose worlds of hysterical realism have been a major influence on this writing.
Approved
Lorraine Lopez
April 21, 2015

Identiferoai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-07132015-172131
Date28 July 2015
CreatorsYurevitch, Theodore Vadim
ContributorsLorraine Lopez, Nancy Reisman, Peter Guralnick
PublisherVANDERBILT
Source SetsVanderbilt University Theses
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.vanderbilt.edu/available/etd-07132015-172131/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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