This study examines select early works for the guitar by Fernando Sor (1778-1839). The works are discussed in some detail in terms of texture, use of idiomatic techniques and form in order to obtain a better understanding of Sor's early compositional practice and early style of playing the guitar. One of the central goals of the study is to trace and analyze the various revisions Sor made to a specific work, the El Mérito (ca. 1803), before publishing it as the Grande Sonate (1825) some twenty years later, and by doing so, also to shed light on Sor's development as both composer and performer during the relatively long time span between the completion of El Mérito and the publication of the Grande Sonate.
| Identifer | oai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/268374 |
| Date | January 2012 |
| Creators | Rosvoll, Lars |
| Contributors | Patterson, Thomas R., McLaughlin, Carrol, Pomeroy, Boyd, Patterson, Thomas R. |
| Publisher | The University of Arizona. |
| Source Sets | University of Arizona |
| Language | English |
| Detected Language | English |
| Type | text, Electronic Dissertation |
| Rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
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