abstract: The Indian princess began as an imposition, a Eurocentric conception based in preconceived notions of cultural structures and gendered power roles - a mixture of noble woman and provocative demure maiden - created by Anglo men to epitomize an idyllic image of otherness and womanhood. This analysis begins by exploring the history of the icon that was first conceived through sixteenth century explorer's tales of exotic queens then traces her progression through the romantic idealizations of the Indian woman Pocahontas. Research then explores how the character, comprised of a mixture of feathers, beads, and buckskin, was implemented into performance, and discusses how her flesh and blood enactment became critical to her survival. Drawing on the theories of contemporary critics, final examination turns to twentieth century perceptions of the Princess and reactions to her by contemporary Native artists whose manipulations of the character opens alternative dialogs about the stereotype to offer reconstructions of her historic discourse. / Dissertation/Thesis / M.A. Art History 2011
| Identifer | oai:union.ndltd.org:asu.edu/item:8855 |
| Date | January 2011 |
| Contributors | Hanawalt, Tammi (Author), Duncan, Kate (Advisor), Fahlman, Betsy (Committee member), Malagamba-Ansótegui, Amelia (Committee member), Mesch, Claudia (Committee member), Arizona State University (Publisher) |
| Source Sets | Arizona State University |
| Language | English |
| Detected Language | English |
| Type | Masters Thesis |
| Format | 149 pages |
| Rights | http://rightsstatements.org/vocab/InC/1.0/, All Rights Reserved |
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