As a Christian, Emily Pfeiffer (1827-1890) saw women's fight for emancipation as a crusade that transcends the earthly state. Yet, although her poetry was well-received during her life-time, Pfeiffer remains obscure. In order to challenge values that may have helped to perpetuate Pfeiffer's non-canonical status, I examine Pfeiffer's poetry against a broader definition of religious practice and worship than was traditionally applied to Victorian women's poetry. Responding to a recent re-evaluation of the criteria for what constitutes nineteenth-century religious literature, I demonstrate that Pfeiffer's poetry occupies a unique position in the canon of Victorian women's religious poetry. To determine what made Pfeiffer such an original thinker, my research considers childhood experiences from which the psychological imprint nev~r faded. In order to compensate for losses and disappointments, Pfeiffer learned to channel her frustrations into her poetry early in life. A Central Anglican, Pfeiffer belonged to a declining strand of the Established Church during a period when other branches of Christianity were expanding.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:586609 |
| Date | January 2012 |
| Creators | Brand, Prudence |
| Contributors | Varty, Anne |
| Publisher | Royal Holloway, University of London |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://repository.royalholloway.ac.uk/items/6766393a-e1ab-a987-0223-0460c5622c28/8/ |
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