This project sets out to scrutinize three decades of feature length fiction films about the British Empire produced by American and British filmmakers beginning in the 1930s through to the end of the 1950s. It compares British and American film in these three decades because such a comparative study has yet to be done and situating such a study within the changing historical contexts is important to chart shifting patterns in filmmaking in these two cultures. Focusing on film narratives that favour sites of modern colonial conflict as setting, namely India, the African colonies and Ireland, the project will chart how American and British filmmakers started from significantly different positions regarding the British imperial project but came to share increasing homogeneity of approach during and after the Second World War. This thesis shows that the relationship of American and British filmmakers to the British Empire changed dramatically after the Second World War and followed political developments. The new special relationship which grew strong after the war had far reaching consequences to the colonial and former colonial nations: the way in which American and British filmmakers portrayed this transition has important implications within film history.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:589874 |
| Date | January 2013 |
| Creators | Johnstone, Sara R. |
| Publisher | University of Warwick |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://wrap.warwick.ac.uk/58603/ |
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