One of the most stimulating issues in East Asian art history is the influence and reception of art and culture. My dissertation presents a case study of ceramic production and consumption between 1400-1800, in which Korea is a source for new art, and Japan is not only a recipient but an active transformer and innovator. The dissertation focuses on the following three themes: 1) ceramic production in Korea ca. 1400-1600, especially the unique buncheong ware; 2) the reception and consumption in Japan of buncheong and other non-porcelain ceramics produced in Korea ca. 1500-1700, some of which were made specifically for Japanese consumers; 3) the production of Korean-inspired stoneware in Japan, particularly in northern Kyushu, ca. 1600-1800.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/D8057D3Q |
| Date | January 2014 |
| Creators | Lee, Soyoung |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
Page generated in 0.0018 seconds