本文以粵東閩南地區商時期文化為研究對象，通過不同地理單元商時期遺存的系統梳理，初步建立了該地區商時期文化的時空框架，並對該區域內不同考古學文化關係及與其它地區考古學文化進行對比分析。為認識該地區考古學文化面貌及發展序列，主要就各區域代表性遺址進行分析。據考古發掘公佈的材料，主要從陶器、輔以石器方面，談論遺存中包含的考古學文化要素及其年代，以進行不同考古學文化的區分、動態分佈、文化交流的考察。在此基礎上，從該區域考古學文化變遷中商文化要素的角色，分析粵東閩南地區如何吸收商文化要素及其背後的上層政制交流。 / 本文主要分為七個部分。 / 第一部分為緒論，主要就研究緣起、過去的考古發現研究及研究方法、時空範圍和相關概念進行了闡述，提出了尚待解決的問題，為下文分析，做一鋪墊。 / 第二部分主要梳理了粵東閩南地區的自然環境和史前文化。根據地勢地貌特徵，分為粵東區和閩南區。對粵東閩南兩區史前考古學文化進行了梳理，揭示區域內史前文化分區與自然地理之關係，說明粵東閩南地區商代以前的文化聯繫與變遷。 / 第三部分對粵東地區商代遺存進行了分析。就粵東地區內陸低山丘陵地區和沿海潮汕平原地區的代表性遺存進行了分析。低山丘陵地區大埔遺址群、饒平遺址群以浮濱文化遺存最為豐富，後山文化有零星發現，浮濱文化遺存有前後兩期；兩遺址群體現了內部聚落大小之分以及身份等級差異。沿海潮汕平原地區，以榕江流域分佈商代遺存最豐富，前期以後山文化為主，後期以浮濱文化為主，並在沿海地區見華美類型文化。初步認識了後山文化前後分期及後山文化後期與浮濱II / 文化同時存在。 / 第四部分對閩南地區晉江流域、九龍江流域和汀江流域商代遺存分析。音樓山--庵山類型文化以晉江流域為中心，時代貫穿於商代早晚期，在商代早期為興盛期，九龍江流域亦為其覆蓋範圍，影響至汀江流域和粵東地區。九龍江流域文化面貌多樣，在此部分，以音樓山--庵山類型文化為主的遺存進行了分析，九龍江下游及沿海地區商代遺存具有明顯的時空上的過渡特徵。汀江流域考古發現尚少，現有材料顯示出前期後山文化、鳥崙尾類型文化及音樓山--庵山類型文化的融合，後期浮濱文化的影響。 / 第五部分以九龍江流域虎林山遺址、狗頭山遺址、松柏山遺址和鳥崙尾遺址為例進行了相關分析。虎林山遺址為地域內中心性聚落，鳥崙尾遺址與松柏山遺址為次級中心性聚落，均呈現了鳥崙尾類型文化--浮濱文化的文化發展序列。商代早期鳥崙尾類型文化，從墓葬等級、隨葬品及禮器陶尊等方面，體現了對中原禮制某些元素的複製；商代晚期浮濱文化，葬俗、墓葬等級和禮器，體現了粵東閩南繼續保留傳承了中原禮制部分元素，且在身份等級表現上具有地方特色。 / 第六部分主要就環珠江口地區所發現的浮濱文化遺存進行了分析。以香港東灣仔遺址、深圳屋背嶺遺址與博羅橫嶺山遺址中的浮濱文化遺存與粵東閩南浮濱文化同類器進行了對比分析，認為粵東閩南地區浮濱文化與環珠江口地區有跨海直接交流，浮濱文化是閩粵地區表現較為強勢的一支文化。 / 第七部分主要探討商文化要素在粵東閩南的傳播以及在商代晚期粵東閩南地區商文化要素--禮制思想的承襲及禮制器物表現上的本地化。首先就香港東灣遺址陶尊與粵東閩南、吳城、盤龍城遺存等對比分析，認識到香港地區陶尊與粵東閩南浮濱文化中包含共同的商文化要素，提出了浮濱文化在商文化傳播中的角色問題。其次以商代禮器尊（青銅尊和仿青銅尊）的對比分析，說明了商代早期粵東閩南對商文化要素的複製。再次以浮濱文化折腹豆形態、刻劃符號、生產技術等方面說明了本地特徵的折腹豆為浮濱人群權力等級象徵之一，與牙璋等器物表現了對中原政 / 關鍵詞 / This paper takes the archaeological cultures in Shang Dynasty period in eastern Kwangtung and southern Fukien as the study project, primarily establishing the spatial and temporal framework of the cultures in this area and analyzing the relationships of relics among different cultures in different areas. To know about the connotation and developing sequence of the cultures, discussions are mainly on the representative sites from different drainage areas. According to published archaeological materials, elements and dates of cultures are discussed through analysis on potteries to distinguish cultures, dynamic distribution and cultural interaction. On this basis, from the role of Shang cultural elements in the transition of cultures, the paper discusses how the Shang elements are brought in and the upper political interchange. / The main content of this dissertation are divided into seven chapters. / Chapter 1 is about preface, mainly describing the background information about this research, including genesis, reviews, method, and definition of the related concepts. / Chapter 2 outlines environment and cultural background before Shang Dynasty in this area. Based on physical geography, this area is divided into two regions, eastern Kwangtung and southern Fukien, to acknowledge relations between elder culture and physical geography. / Chapter 3 discusses the sites in eastern Kwangtung from the representative relics in sub-regions of hilly inland and coastal plain. Archeological ensembles of Dapu and Raoping in hilly inland sub-region are rich in Fubin culture and rare in Houshan culture, which shows two phases of Fubin culture and settlements’ size-grade and status of different group people. In coastal plain sub-region, sites are abundant in Rong River drainage in Shang Dynasty, which present the first phase of Houshan culture, second phase of Fubin culture and the Huamei type culture. And also, this discussion explains Houshan culture having 2 time-stages and the coexistence later stage of Houshan culture with Fubin culture. / Chapter 4 is focused on analysis of sites in the three sub-regions, Jin river, Jiulong river, Ting river in southern Fukien. Yinloushan-Anshan type culture is centered in Jin river and spans the Shang period, flourishing in the early Shang period, co / Chapter 6 mainly discuss the relics of Fubin culture discovered around the Pearl river delta through comparing artifacts from Dun Wan Tsi site Hong Kong, Wubeiling site in Shenzhen, and Henglingshan site in Boluo of Guangzhou with those from eastern / Chapter 7 explores the transmission of Shang cultural elements in the area and then the continuity of ritual system and localization of the ritual objects. First, from the comparison of Zun vessel unearthed in Dongwan site of Hong Kong with those art / 陳琴. / Thesis Ph.D. Chinese University of Hong Kong 2016. / Includes bibliographical references (leaves ). / Abstracts in English and Chinese. / Title from PDF title page (viewed on …). / Chen qin. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only.
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_1292389 |
| Date | January 2016 |
| Contributors | 陳琴 (author.), (thesis advisor.), Chinese University of Hong Kong Graduate School. Division of History. (degree granting institution.), Chen, Qin (author.) |
| Source Sets | The Chinese University of Hong Kong |
| Language | Chinese, English |
| Detected Language | English |
| Type | Text, bibliography, text |
| Format | electronic resource, remote, 1 online resource ( leaves), computer, online resource |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-NoDerivatives 4.0 International" License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
Page generated in 0.0021 seconds