Chan, Siu-han. / Thesis submitted in: July 2004. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 184-193). / Abstracts in English and Chinese. / ABSTRACT --- p.i / 論文摘要 --- p.ii / ACKNOWLEDGEMENTS --- p.iii / CONTENTS --- p.v / INTRODUCTION / Chapter 1.1 --- Empirical Puzzles and Theoretical Concern --- p.1 / Chapter 1.2 --- The Cultural Scene in Hong Kong --- p.5 / Chapter 1.3 --- Defining the New Wave Cinema --- p.8 / Chapter 1.4 --- The Objectives of the Thesis --- p.12 / Chapter Chapter 2 --- In Quest of Theoretical Perspective and Analytical Framework / Chapter 2.1 --- Existing Studies of the New Wave Cinema --- p.13 / Chapter 2.2 --- The Study of Popular Culture in Hong Kong --- p.21 / Chapter 2.3 --- Culture Industry: The Approach of the Frankfurt School --- p.28 / Chapter 2.4 --- The Elective Affinity of Culture Industry with Hong Kong Society --- p.33 / Chapter 2.5 --- Analytical Framework --- p.36 / Chapter Chapter 3 --- The Anxiety of Political Subjectivity / Chapter 3.1 --- Prelude --- p.45 / Chapter 3.2 --- The Perturbed Hong Kong People --- p.50 / Chapter 3.3 --- The Hong Kong Diaspora --- p.57 / Chapter 3.4 --- The Negative Projection on the Colonizers --- p.60 / Chapter 3.5 --- The Ambivalence Towards the Motherland´ؤChina --- p.66 / Chapter 3.6 --- Discourse on Political Modernization: The Anxiety of Political Subjectivity --- p.86 / Chapter Chapter 4 --- The Contradiction of Societal Modernization / Chapter 4.1 --- Prelude --- p.89 / Chapter 4.2 --- Looking back at the Pre-modernized Social Order --- p.91 / Chapter 4.3 --- Rethinking the Entanglement of the Old and the New --- p.102 / Chapter 4.4 --- Representing the Modernized New Social Order --- p.110 / Chapter 4.5 --- Discourse on Societal Modernization: The Contradiction of Societal Modernization --- p.123 / Chapter Chapter 5 --- The Fragility of Hong Kong Cultural Identity / Chapter 5.1 --- Prelude --- p.126 / Chapter 5.2 --- Historical Memories as Cultural Receptacles --- p.128 / Chapter 5.3 --- The Spatialized Cultural Consciousness --- p.136 / Chapter 5.4 --- Urbanism as the Quality of Hong Kong society --- p.144 / Chapter 5.5 --- The Chinese Tradition in Present Day Hong Kong --- p.151 / Chapter 5.6 --- The Hybridized Everyday Popular Culture --- p.157 / Chapter 5.7 --- Discourse on Cultural Modernization: The Fragility of Hong Kong Cultural Identity --- p.164 / CONCLUSION / Chapter 6.1 --- The Planned Tragic Vision in Culture Industry --- p.167 / Chapter 6.2 --- The Aestheticization of Social Reality in Culture Industry --- p.171 / Chapter 6.3 --- The Demise of the New Wave Cinema in Hong Kong Culture Industry --- p.178 / New Wave Cinema: A Listing --- p.182 / REFERERNCES --- p.184
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_325257 |
| Date | January 2005 |
| Contributors | Chan, Siu-han., Chinese University of Hong Kong Graduate School. Division of Sociology. |
| Source Sets | The Chinese University of Hong Kong |
| Language | English, Chinese |
| Detected Language | English |
| Type | Text, bibliography |
| Format | print, vi, 193 leaves ; 30 cm. |
| Coverage | China, Hong Kong, China, Hong Kong |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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