This thesis explores radicalism at work in M. Maxwell Philip's Emmanuel Appadocca (1854) and China Miâeville's The Scar (2002). These novels highlight piracy as a means of rejecting systems of power and social order. Through speculative fiction, each author finds the means to resist the hegemonic power of genre, race, empire, and knowledge that pervade each author's social and historical milieu. This work examines the historical and literary context of piracy as a metaphor for radicalism, the project of legitimization and resistance to generic categorization of both texts. Emmanuel Appadocca resists racial stereotypes, and both texts exhibit clear resistance to colonial expansion. This resistance is made possible by each author's use of the sea as the site of insurgency and challenging boundaries of knowledge. Thus both novels lend themselves to interpretation as works of postcolonial fiction. / by Elizabeth Kelly. / Thesis (M.A.)--Florida Atlantic University, 2008. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2008. Mode of access: World Wide Web.
| Identifer | oai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_2885 |
| Contributors | Kelly, Elizabeth., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English |
| Publisher | Florida Atlantic University |
| Source Sets | Florida Atlantic University |
| Language | English |
| Detected Language | English |
| Type | Text, Electronic Thesis or Dissertation |
| Format | vi, 59 p., electronic |
| Rights | http://rightsstatements.org/vocab/InC/1.0/ |
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