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5th Wave: The Fault of Women

As a reaction to the demand for women’s suffrage and equal rights in the late-1800s, American antifeminism emerged. In the article by Janet Saltzman Chafetz and Anthony Gary Dworkin, “In the Face of Threat: Organized Antifeminism in Comparative Perspective,” the authors concluded that the growth of a countermovement is contingent upon the success and size of the movement it opposes.1 This conclusion is applied to the actions, counter-actions and subsequent growth of both antifeminism and feminism. However, as feminism succeeds with small advancements in equality, antifeminism escalates its oppositional strength by creating accusations against women, using labels based on gender stereotypes and initiatives that incite divisive discourse in the pursuit of equal rights for all human beings.
Graphic design is a catalyst for both antifeminism and feminism visual language. To find inspiration for my exhibition, I examined one-hundred years of design used by both movements. Based by my research, the exhibition, “5th Wave: The Fault of Women,” navigates through the growth and history of antifeminism and visually examines antifeminist labels and initiatives and the culmination of these techniques used during the fifth wave of antifeminism. The exhibition, “5th Wave: The Fault of Women,” exposes and challenges the efforts of the fifth wave of antifeminism in an effort to evoke an understanding of the importance of feminism’s fight for equality and the betterment of all human beings. Using research and design to expose antifeminism’s growing labels and initiative, feminism can combat the techniques used to punish those who challenge patriarchy and heteronormativity. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2020. / FAU Electronic Theses and Dissertations Collection

Identiferoai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_64698
ContributorsKoppisch, Patricia (author), Cunningham, Stephanie (Thesis advisor), Florida Atlantic University (Degree grantor), Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
PublisherFlorida Atlantic University
Source SetsFlorida Atlantic University
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation, Text
Format79 p., application/pdf
RightsCopyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder., http://rightsstatements.org/vocab/InC/1.0/

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