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Apartheid legacies and identity politics in Kopano Matlwa's Coconut, Zoƫ Wicomb's Playing in the light and Jacques Pauw's Little ice cream boy

An analysis of the preoccupation writers of South African fiction display after the process started by the Truth and Reconciliation Commission is vital in post-apartheid South African writing. It becomes clear that a fascination with the past is not bound to any one specific racial or gender group within post-apartheid South Africa. Authors can therefore be said to continue the excavation work that the TRC started many years ago. The severe impact that the rigid classification of human beings into different groups based on race had, and continues to have, becomes evident in contemporary South African writing. The fact that white privilege always comes at a cost for those wanting to attain or maintain it cannot be overlooked and whiteness as a construct is examined.

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:nmmu/vital:8424
Date January 2012
CreatorsScott, Simone
PublisherNelson Mandela Metropolitan University, Faculty of Arts
Source SetsSouth African National ETD Portal
LanguageEnglish
Detected LanguageEnglish
TypeThesis, Masters, MA
Format120 leaves, pdf
RightsNelson Mandela Metropolitan University

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