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Kuns as projeksiemedium : 'n opvoedkundig-sielkundige model om onverwerkte trauma by jong volwassenes aan te spreek

D.Ed. / Art lecturers affiliated to a tertiary institute observed the occurrence of negative emotional content and expression in the artwork of their students. These students are also inclined to manifest negative behavioural and interaction patterns. The lecturers appealed for this research as a method to determine what the content of the expressed artwork indicate. The request was for the research methods to proceed within an art framework in order for it to be applied as a class project. The research proceeded with the use of art as a projection medium, applied during the process of facilitative interaction. The aim was to determine the degree to which the projected content in the young adults' artwork correlate with their personal life- and experiential world. The young adults were requested to write spontaneous sketches depicting the story of their life. The information was passed on to a graphologist for the analysis of their handwriting. The findings of the graphologist was later applied as external triangulation in order to verify the identified themes obtained from the analysis. With the aid of art as projection medium during facilitative interaction, it has been determined that the young adults struggle with unresolved trauma as a result of abuse. The exposure to abuse resulted in barriers influencing their relationships with others as well as themselves. The barriers manifest as experiences of pain and confusion; mistrust and isolation; aggression and depression. The research resulted in the development of a model for educational psychologists equipping them to identify and address unresolved trauma with young adults through the use of art as projection medium during facilitative interaction. The development of the model proceeded in four stages. During stage one concepts were identified, defined and classified after completion of the fieldwork. The sample included 30 respondents from different cultures ranging from ages 18 to 24. The collection of data proceeded with the use of art as projection medium involving the following - a Gestalt-therapeutic exercise: the drawing of a rosebush, in-depth interviews, the analysis of cartoons and the writing of spontaneous sketches on unlineated paper for graphological analysis. The model of Guba was used to ensure trustworthiness in qualitative methodology. This refers to the credibility, transferability, reliability and verification of the research. In step two the relationship between concepts was drawn, after which step three followed, involving the description of the model. Guidelines in operationalising the model, are stated in step four. The model aims at the empowerment of young adults suffering from unresolved childhood trauma, with the use of art as projection medium during facilitative interaction. During this process the young adults are guided to an enhanced self-awareness in order for self-insight and self-empowerment to develop so that mental health can be obtained. The power of the model lies in the continuous plotting taking place through the use of art as projection medium during facilitative interaction.

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uj/uj:2991
Date22 August 2012
CreatorsLoock, Christina Aletta
Source SetsSouth African National ETD Portal
Detected LanguageEnglish
TypeThesis

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