M. Tech. / My research examines how artworks referring to cattle convey symbolic meaning about cultural identity in South Africa, thus contributing to the research niche area of the University of Johannesburg (Visually Embodying Identity in a Post Colonial Environment). I track shifts in traditional ethnic and cultural boundaries which shaped South Africa, by comparing selected examples of historic and contemporary art and artefacts which embody cultural values. This provides a reading of the dynamic process of changing identities in South Africa with emphasis on the process of creolisation being particularly identifiable in the work of chosen artists Peter Mthombeni and Joachim Schönfeldt. In my practical research I attempt to reflect different South African identities, from colonialist, essentialised identities to the newer identities of a post-apartheid, democratic, 21st century multicultural society. My practical research which focuses on dynamic shifts in identity results in an installation of a ‘herd’ of ceramic cattle heads in an outdoor public area, namely the entrance to the Faculty of Art, Design and Architecture at the University of Johannesburg.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uj/uj:8309 |
| Date | 28 April 2009 |
| Source Sets | South African National ETD Portal |
| Detected Language | English |
| Type | Thesis |
Page generated in 0.002 seconds