This thesis is dealt with one of the most important domain in preparatory and production works of radio drama - sound dramaturgy. In the first part I systemize sound material from the point of view of creativity focusing on its formative and semantic potential. Then I apply the previous findings considering the radio drama production itself. I distinguish two phase of sound-dramaturge`s work: phase of timeline construction and phase of building up the sound scene. There are many practical examples illustrating my partial conclusions in the thesis as well as contemplations of next radio drama sound dramaturgy development. I suppose this thesis will be a contribution for radio drama theory in the Czech area.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:177792 |
| Date | January 2013 |
| Creators | Mikyška, Tomáš |
| Contributors | PINKAS, Martin, ZIKMUND, Tomáš |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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