This master thesis highlights one way of specifying a relationship of topic and content in the present mimical theatre. Most importantly it deals with finding, creating and functioning of body expression form. It comes from an analysis of graduation (master) performance Uroboros and on the basis of the analysis it names some of principles, with which the actual movement theatre works-
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:261006 |
| Date | January 2016 |
| Creators | Debnárová, Barbora |
| Contributors | HORÁK, Roman, SOPROVÁ, Jana |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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