Violence has always been conspicuously present in the American nation, its culture and literature. Considering the immoderate abundance of violence in current entertainment industry, it would seem natural for the emotions to be dulled and able to process any abhorrent excess of violence; the reactions that both Blood Meridian and The Road by the American author Cormac McCarthy have gathered are thus all the more surprising. Face to face with the novels' unspeakable evil, many readers do recoil in horror and the pervasive violence of McCarthy's writings has provoked a wide range of critical perception. The novels may differ significantly in the setting − Southwestern United States of the 19th century in Blood Meridian as opposed to post-apocalyptic future of The Road - but the apparent gulf between both groups of characters and mainly between them and the reader is only another ruse of McCarthy's scheme, whereby he unveils uncomfortable truths about humankind. Although his meticulous study of sources might support the inevitability, even a penchant for bloodshed and carnage in specific conditions, it would be erroneous and contrary to McCarthy's portrayal to imply that it is anomalous rather than representative. The hostility in the novels should not be understood as a feature of a particular region or...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:331763 |
| Date | January 2015 |
| Creators | Kubalová, Barbora |
| Contributors | Robbins, David Lee, Procházka, Martin |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0058 seconds