This diploma work aims to map to some depth the history of piano trio, to introduce the reader to individual pieces for this arrangement, to present the origins and fortunes of the leading Czech and international ensembles, and to compare their way of interpretation. In the first part of this document we will take a look at the absolute beginnings of chamber music and later development of this musical segment. We will concentrate on the history of the trio, developed from trio sonata that become the principal chamber type during baroque. At the turn of 18th and 19th century we can see its present form. It became one of the most popular musical forms, taking an important place in the work of all four "Viennese classics". We can find some occasional piano trios from Haydn and Mozart, composed primarily for the purpose of private conduction of music. Piano trios of L. v. Beethoven and F. Schubert however present a decisive step in the direction of artistic originality. Mature work of these authors represents zenith of the genre, successfully maintained later on by Schumann, Brahms, Dvořák, Smetana and other romantic representatives, who were using the form as ideal means to convey the most internal of their feelings. Meeting of three completely different instruments allows the composers to merge...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:349458 |
| Date | January 2016 |
| Creators | Pichlíková, Markéta |
| Contributors | Tomášek, Jiří, Palkovská, Jana |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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