Until recently Alice Cary's works have gone largely unnoticed by
the literary community, and those critics who have examined her
writings have recognized her primarily as a regionalist sketch writer.
However, studying Cary's total body of fiction, including her novels and
children's fiction as well as her sketches, and examining the influence of
Christian Universalism upon her work reveals that Cary is a much more
complex and nuanced writer than she has been previously understood
to be. This dissertation explores the way that Cary questions
stereotypes of accepted behavior specifically as they pertain to the
identities of men, women, and children and offers a more flexible and
inclusive religious identity rooted in Universalist ideals.
In her depictions of women, Cary uses tropes from gothic stories,
fairy tales, and sentimental fiction to criticize evangelical faith,
Transcendentalism, and separate spheres-based stereotypes of women's behavior, and she undermines these stereotypes and replaces them with
a Universalist emphasis on communal service and identity. Similarly,
Cary's depictions of manhood are influenced by her desire to dissect
preconceived notions of masculinity like that of the Self-Made Man and
his earlier counterparts the Genteel Patriarch and the Heroic Artisan
and replace these stereotypes with a Universalist model that embraces
gender fluidity and sacrifice of self interest for the larger community.
Cary's treatment of children continues her critique of nineteenth century
stereotypes. Cary, unlike most early nineteenth century writers,
exposes the dangers of romanticized visions of middle class children,
which physically isolated children from their families and endangered
working class children by increasing the demand for child labor; thus
Cary's Universalism leads her to depict all children, not just the wealthy
ones, as God's children and worthy of protection. Cary also uses
children metaphorically to represent minorities and tentatively question
the treatment of African Americans and Native Americans. Cary stands
as a prime example of an author who has been overlooked and whose
obscurity has hindered the construction of literary history, particularly
in regard to the antebellum roots of realism and the influence of liberal
religious belief on realistic fiction.
| Identifer | oai:union.ndltd.org:tamu.edu/oai:repository.tamu.edu:1969.1/ETD-TAMU-2009-08-825 |
| Date | 2009 August 1900 |
| Creators | Galliher, Jane M. |
| Contributors | Berthold, Dennis |
| Source Sets | Texas A and M University |
| Language | en_US |
| Detected Language | English |
| Type | thesis, text |
| Format | application/pdf |
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