<p>U disertaciji je ukazano na vidove<br />ideološke recepcije srpske književnosti u 20.<br />veku, pri čemu je najznačajniji istraživački<br />napor bio je usmeren ka uočavanju i analizi<br />ideološkog vida recepcije srpske književnosti<br />od početka 1990-ih godina. Ukazuje se da u<br />značajnom segmentu inostrane akademske<br />kritike srpska književnost biva podvrgavana<br />isključivo političkoj kontekstualizaciji i<br />interpretaciji, te da se motiv za njeno<br />uključivanje u domen akademskog<br />interesovanja nalazi, u značajnom broju<br />primera, potpuno izvan sfere književnosti.<br />Naglašeno ideološko vrednovanje, koje<br />zapostavlja estetske odlike i potencira politička<br />značenja u delima srpske literature, uspostavlja<br />takav horizont očekivanja od srpskih pisaca koji<br />se nalazi u suprotnosti sa očekivanjem ove<br />kritike od vlastitih nacionalnih književnosti (u<br />smislu primarnosti estetske relevantnosti), i – na primeru srpske književnosti – afirmiše principe</p><p>utilitarističkog pristupa, kao i političke<br />relevantnosti i podobnosti. Na taj način, ova<br />kritika pokazuje odlike koje je čine bliskom<br />rigidnoj komunističkoj matrici i njenim<br />obrascima u nauci o književnosti.</p> / <p>Research in this dissertation is focused on<br />observing and analyzing the ideological aspect<br />of the reception of Serbian literature in 20th<br />century, with the strongest emphasis on the<br />period starting in the 1990s. It is shown that a<br />considerable number of foreign<br />universityreviews of Serbian literature subjected<br />it to exclusively political contextualization and<br />interpretation, and that in many examples the<br />reason for including it in the sphere of academic<br />interest was completely outside the domain of<br />literature. This pronounced ideological<br />assessment that disregards aesthetic features and<br />stresses political importance in works of Serbian<br />literature establishes a level of expectation from<br />Serbian writers that is contrary to the<br />expectations of literary criticism of their own<br />national literature (where precedence is given to<br />aesthetic relevance) and – using the example of<br />Serbian literature – recognizes the principles of<br />a utilitarian approach, and political relevancy<br />and suitability. Such literary criticism has<br />characteristics that draw it close to the rigid<br />communist matrix and its forms in the science<br />of literature, and also simulates the position of<br />anti-colonial criticism, presenting Serbian<br />literature as the morally inferior literature of a<br />colonizer.</p>
| Identifer | oai:union.ndltd.org:uns.ac.rs/oai:CRISUNS:(BISIS)101181 |
| Date | 19 September 2016 |
| Creators | Bulatović Boris |
| Contributors | Vladušić Slobodan, Gordić Slavko, Pijanović Petar |
| Publisher | Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, University of Novi Sad, Faculty of Philosophy at Novi Sad |
| Source Sets | University of Novi Sad |
| Language | Serbian |
| Detected Language | English |
| Type | PhD thesis |
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