Two of the leading methodologies for spatializing audio over multiple channels include non-real-time multi-track tape and variations of real-time systems that often involve complex configurations of hardware. Of the latter, composers relying on MIDI as a control source have used pairs of sound modules, effects units and automation capable mixers to achieve spatialization over four loudspeakers. These systems typically employ intensity panning, Doppler shifts and reverberation.
The present research details the development of a compact spatialization system using a MAX patch controlling a Kurzweil K2500 sampler. This system supports real-time diffusion of up to six simultaneous sound files over eight loudspeakers while incorporating intensity panning, Doppler shifts, delays and filtering. The MAX patch allows composers to choose from several automatic sound spatialization trajectories or to use the mouse to draw and store their own trajectories for later playback. The piece,
Circumfusion, is an eighteen-minute composition of electroacoustic music utilizing this spatialization system.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc277632 |
| Date | 08 1900 |
| Creators | Morgan, Christopher R. (Christopher Robert) |
| Contributors | Klein, Joseph, 1962-, Phipps, Graham Howard, Nelson, Jon Christopher |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | viii, 109 leaves : ill., Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Morgan, Christopher R. (Christopher Robert) |
Page generated in 0.0025 seconds