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Expectation as Narrative Strategy in Richard Wagner's Parsifal

The story of Parsifal is presented in two manners: through action and through
narrative. Using the formalist theories of Vladimir Propp, the overall narrative is
articulated in three narrative episodes. This thesis interprets the structure of narrative episodes in Parsifal on the basis of expectation. Propp's theory of functions provides labels for an interpretive analysis. Levi-Strauss' reconstruction of Propp's functions into paired structures identifies key points in the drama as moments of "functional" saturation. This "functional" saturation coincides with Wagner's practice of Leitmotivic saturation. The semiotic theories of Charles Sanders Peirce, specifically his notion of sign, clarify the dense accumulation of meanings accrued by the Leitmotifs. Finally, Parsifal, as a "quest" for the unobtainable object, fits into the matrix of desire as formulated in the theories of Jacques Lacan.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc278358
Date08 1900
CreatorsStraughn, Greg, 1972-
ContributorsKuss, Malena, Brothers, Lester Dwayne, 1945-, Friedson, Steven M. (Steven Michael), 1948-
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Format102 leaves : ill., Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Straughn, Greg, 1972-

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