This thesis explores an experimental music approach to writing autobiography. As a composition, Pilgrim Carnival took place as a travelling series of events. The central event was a sound installation for a blindfolded audience. This essay is a description of that series of events as well as a discussion of similar precedents in interdisciplinary art. Beginning with Luigi Russolo and Marcel Duchamp, aspects of autobiography are examined in both noise music and the concept of the ready-made artwork. Body Art of the 1970s, particularly the work of Marina Abramovic, is also tied into the idea of the ready-made artwork as an explicitly autobiographical example. The hybrid form of Pilgrim Carnival and the concept of ready-made autobiographical music create ongoing potential for new work.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc3246 |
| Date | 08 1900 |
| Creators | House, Kayli |
| Contributors | Winsor, Phil, 1938-2012, Levin, Ben, Klein, Joseph, 1962- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, House, Kayli, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.002 seconds