The purpose of this dissertation is to analyze Concerto No.3 "Ave Maria" by Alemdar Karamanov (1934-2007) and to elucidate the work through historical background and the composer's ideas. This concerto is presented as a significant gesture of dramatic emotion, religious belief, romantic spirit and universal feeling. The subtitle "Ave Maria" relates to a set up already present within the music program. An analysis of interval relationships will help performers better realize Karamanov's music language. In view of the complicated nature of this piece, an analytical study is considered necessary. The study centers principally on analysis, with an emphasis on the developments of form, tonality and motives to help performers better understand the work, and how to best approach this concerto.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc6036 |
| Date | 05 1900 |
| Creators | Yang, Christine |
| Contributors | Viardo, Vladimir, 1949-, Phipps, Graham Howard, Puccinelli, Elvia L. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Yang, Christine, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0022 seconds