This thesis examines the various "signature" threads that are present within the "oeuvre" of the Hollywood filmmaker Adrian Lyne. The goal of this thesis is to showcase both how and why Lyne can be thought of as an auteur and to open up his films to new and previously unexplored meanings. Lyne's eight feature films are analyzed in-depth individually and in comparison to one another from a variety of theoretical frameworks and points of focus in each of the body chapters.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc984139 |
| Date | 05 1900 |
| Creators | Oliver, Stephanie |
| Contributors | Benshoff, Harry M., 1963-, Larke-Walsh, George S., 1965-, Vickery, Jacqueline Ryan |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | viii, 137 pages, Text |
| Rights | Public, Oliver, Stephanie, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
Page generated in 0.0024 seconds