This work with the title «Uma Galeria Dialogante - A Pintura na Poesia de António Osório», is focused on the dialogue which the poetry of António Osório establishes with painting and its creators, specially in the part «A Felicidade da Pintura» integrated in the book O Lugar do Amor, where we find the evocation of many painters and paintings throughout several epochs of the History of Art. I tried to show the presence of painting in this poetry and the reasons why the reader can find a great number of artists and paintings along the poetic creation of António Osório in articulation with structuring thematic of his poetic work. It is also explored the way how the poems, by taking the visual representation as a reference, establish implicit or fragmentary and explicit or concrete relations with it, becoming by this way a place full of different reflexions and interrogarions. The points of approximation are explored in articulation with a theoretical perspective and creation of ekphrastic, thematic and biographic relations between his poetry and the paintings is also analysed in this exposition.
| Identifer | oai:union.ndltd.org:up.pt/oai:repositorio-aberto.up.pt:10216/16212 |
| Date | January 2009 |
| Creators | Araújo, Sara Bock Vieira de, Martelo, Rosa Maria |
| Publisher | Porto : [Edição do Autor] |
| Source Sets | Universidade do Porto |
| Language | Portuguese |
| Detected Language | English |
| Type | Dissertação |
| Format | application/pdf |
| Source | http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000194885 |
| Rights | openAccess |
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