This thesis attempts to illuminate new approaches to the thought of Jean Baudrillard, by understanding his unique phenomenological approach and radical affirmation of experience. This will be considered through an exploration of some interesting distinctions between his work and Friedrich Nietzsche’s. Where Nietzsche attempts to fall out of exchange with the world, it will be found that Baudrillard’s work is attempting to enact a kind of tension with things. This aspect of Baudrillard’s work will be examined through some interesting connections to the later work of Maurice Merleau-Ponty, specifically through the concept of reversibility. These connections and distinctions will gather in some important insights on Baudrillard’s approach to the topics of void, the hyperreal and relationality. Moreover, through exploring the intricacies of his phenomenological approach, I hope to understand more clearly what it means to sink into appearances, and to locate the subject wholly within the tensions of relations and forces enigmatic to it. / Graduate
| Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/3276 |
| Date | 02 May 2011 |
| Creators | McCartney, Jenny |
| Contributors | Kroker, Arthur |
| Source Sets | University of Victoria |
| Language | English, English |
| Detected Language | English |
| Type | Thesis |
| Rights | Available to the World Wide Web |
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