This thesis examines the early years of marine mammal captivity at Marineland of the Pacific
and its impacts on the oceanarium industry, cetacean science, and public perceptions of whales.
Opening in 1954, Marineland was the first oceanarium on the Pacific coast of North America,
the largest oceanarium in the world, and the lead institution in cetacean capture, entertainment,
and marine mammal research. In 1957, Marineland captured and displayed the first pilot whale,
“Bubbles,” and ignited the whale capture industry that still exists sixty years later. Although
often overlooked in scholarly work, Marineland developed innovative capture and display
techniques while expanding animal husbandry knowledge. The park also revolutionized the
marine mammalogy field by providing unprecedented opportunities for scientists to closely
observe, study, and interact with live whales. Furthermore, Marineland’s capture, display, and
portrayal of pilot whales in popular media generated public empathy toward cetaceans and
transformed public perceptions of the animals. Through examinations of scientific papers,
popular publications, interviews, and the Kenneth S. Norris Papers from the University of
California Santa Cruz, a collection containing Norris’s personal scrapbooks, field notes, and
unpublished research, this thesis will show that Marineland of the Pacific was the crucible of
change for marine entertainment, cetacean research, and public perceptions of whales. / Graduate / 2019-07-27
| Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/9926 |
| Date | 16 August 2018 |
| Creators | Griffin, Isobel |
| Contributors | Colby, Jason M. |
| Source Sets | University of Victoria |
| Language | English, English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
| Rights | Available to the World Wide Web |
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