My thesis describes the technical processes involved in producing my work. Illustrations and diagrams complement the manuscript. The sculpture is represented by photographs.
I do not intend to verbally describe what each sculpture attempts to project for itself. I have done and will continue to do sculpture because it makes more sense to me than anything else, including writing about what I have made. The investigation, planning, creating, and presentation of my work manifests itself in the object. I would, therefore, undercut this intent if I attempted to duplicate my sculpture rhetorically.
The works discussed were shown at three locations: Fayerweather Gallery, November 7 to November 23 at the University of Virginia in Charlottesville; Healy Gallery, January 29 to February 11 at Georgetown University in Washington, D.C.; Salve-Regina Building, February 14 to March 3 at Catholic University in Washington D.C. All concerned faculty, friends, and benefactors were mailed reception invitations. The description of each piece follows in the order each was completed.
| Identifer | oai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-5584 |
| Date | 01 January 1977 |
| Creators | DiPasquale, Paul |
| Publisher | VCU Scholars Compass |
| Source Sets | Virginia Commonwealth University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | © The Author |
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