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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

AS SIGNIFICAÃÃES SOBRE O TRABALHO COM A IMAGINAÃÃO NA ARTESANIA DA CENA DO TEATRO RADICAL BRASILEIRO -TRB. / The significations of imagination work at scene "artisany" os Teatro Radical Brasileiro - TRB

Maria Edneia GonÃalves Quinto 03 October 2006 (has links)
Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgico / nÃo hà / O presente estudo à resultado de uma anÃlise reflexiva sobre as significaÃÃes atribuÃdas, por dois artistas do Teatro Radical Brasileiro â TRB, ao trabalho com a imaginaÃÃo por eles realizado durante as duas fases da artesania da cena do espetÃculo Tempo TemporÃo, em 2002 e 2005. Refletimos sobre os significados desse trabalho, a partir dos elementos cÃnicos que o integraram e de sua relaÃÃo com as experiÃncias de vida e de arte dos sujeitos. Para isso, procedemos à articulaÃÃo entre os conceitos de artesania da cena teatral, de imaginaÃÃo e de trabalho com a imaginaÃÃo. O estudo de caso etnogrÃfico nos permitiu descrever densamente o modo como ocorreram aquelas duas fases de artesania teatral, dependentes das aÃÃes e das reflexÃes realizadas pelos artistas envolvidos no cotidiano do trabalho imaginativo. Considerando, ainda, a prÃtica docente dos sujeitos em teatro, selecionamos alguns aspectos como a valorizaÃÃo do trabalho com a imaginaÃÃo, a necessidade do conhecimento crescente na Ãrea de arte, as vivÃncias coletivas, entre outros, contidos nas significaÃÃes apontadas por eles, para pensarmos a formaÃÃo do arte-educador. / This study results from a reflexive analysis about significations attributed by two artists of Teatro Radical Brasileiro â TRB, to the work with imagination that was made by themselves during two phases of Tempo TemporÃoâs scene âartisanyâ, at 2002 and 2005. We thought about the meanings of this work from scenical elements that are in it and from its relation with life and art experiences of inquired artists. For this, we made an articulation with the concepts of theatrical scene âartisanyâ, imagination and work with imagination. The study of ethnographic case allowed us to describe with density the way how two phases happened, according to actions and reflections made by the artists involved at the daily imaginative work. Considering the teaching work at theater of that artists, we choose some aspects like work with imagination, the need of growing knowledge, at art, group experiences, and others, that are into the significations pointed by them, to think the art-educator formation.

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