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Material is a common denominator between acoustics and architecture. The most basic building blocks of material are the elements: Earth, Water, Air (and Fire). Water is explored as an acoustic reflector, air as an escape path for sound, and earth as diffusor/absorber/reflector. This exploration of work dives into how acoustics can inspire architecture from the start. The thesis used two design projects to test the ideas: The San Francisco House of Music and The Boston Elemental Theater. Through this work I found the two interrelated fields can work together, and find a process and direction of design that raises the level of both disciplines. / Master of Architecture

Three-dimensional acoustic propagation in shallow water waveguides is studied using the longitudinally invariant finite element method. This technique is appropriate for environments with lateral variations that occur in only one dimension. In this method, a transform is applied to the three-dimensional Helmholtz equation to remove the range-independent dimension. The finite element method is employed to solve the transformed Helmholtz equation for each out-of-plane wavenumber. Finally, the inverse transform is used to transform the pressure field back to three-dimensional spatial coordinates. Due to the oscillatory nature of the inverse transform, two integration techniques are developed. The first is a Riemann sum combined with a wavenumber sampling method that efficiently captures the essential components of the integrand. The other is a modified adaptive Clenshaw-Curtis quadrature. Three-dimensional transmission loss is computed for a Pekeris waveguide, underwater wedge, and Gaussian canyon. For each waveguide, the two integration schemes are compared in terms of accuracy and efficiency. / text

In this thesis we investigate acoustic metamaterials and how they can influence incident sound waves. Specifically we are interested in the mathematical technique of transformation acoustics and how several simple examples of metamaterials, devised via transformation acoustics, can be realised physically. We present a simple methodology for optimising microstructure consisting of rods with elliptical cross sections arranged on a rectangular array in order to best fit the material properties required by a desired transformation. We present in detail three such examples: a one dimensional scaling, the beam shifter, and a right angle bend. We apply the one dimensional scaling to a quarter wavelength resonator, theoretically predicting that we are able to lower the active frequency of the resonator without increasing its physical length. This result is then confirmed experimentally. We provide further experimental evidence of the broad band nature of the microstructure and suggest how it could be applied as a one dimensional acoustic cloak. Finally we present numerical simulations of acoustic propagation through microstructure chosen to realise a beam shifter and right angle bend. These are devices associated with more complicated two dimensional transformations that may prove useful in the field of noise control and redirection.