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The self-conscious narrator in Beckett's trilogy /Fraser, Graham, 1966- January 1990 (has links)
This thesis examines Beckett's trilogy as a work of metafiction, approaching each novel through its primary metafictional device, the self-conscious narrator. Since the narrators are aware of their roles as story-tellers, the examination is carried out in light of Beckett's pronouncements on the nature of art and the artist. Not only are the narrators found to meet Beckett's criteria for artists and artistic development, but Beckett's aesthetic is seen virtually to require self-consciousness. In their situations, their relationship to the audience (both reader and narratee) and the nature of their tales, the self-conscious narrators follow the artistic trajectory Beckett maps out in his critical writings. As Beckett's aesthetic is fulfilled, the narrators' increasing self-consciousness intensifies the metafictional aspects of the trilogy. The trilogy is thus a demonstration of Beckett's self-conscious aesthetic--a descent into reflexivity on the part of the narrators, and through the narrators, on the part of trilogy as a whole.
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What matter who's speaking : Samuel Beckett and the author-function / Russell Smith.Smith, Russell, 1968- January 2000 (has links)
Includes bibliographical references (leaves 309-330) / vii, 330 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Resists the notion of a subversive Beckett appropriated by the cultural mainstream, by tracing the discursive limits of avante-garde writing, and by exploring how Beckett paradoxically reinforced the traditional author-function even as he appeared to challenge it. / Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001
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Unveil the veiled an interdisciplinary study of aesthetic ideas in the works of Piet Mondrian and Samuel Beckett /Chang, Chinhong Lim. January 2003 (has links)
Thesis (Ph. D.)--Ohio University, June, 2003. / Title from PDF t.p. Includes bibliographical references (leaves 280-306).
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Beckett, Derrida and the event of literature philosophical perspectives on the literary /Szafraniec, Joanna Dagmara. January 2004 (has links)
Proefschrift Universiteit van Amsterdam. / Auteursnaam op omslag: Asja Szafraniec. Met lit. opg. - Met samenvatting in het Nederlands.
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Samuel Beckett und die deutsche Sprache eine Untersuchung der deutschen Übersetzungen des dramatischen WerksFries-Dieckmann, Marion January 2006 (has links)
Zugl.: Düsseldorf, Univ., Diss., 2006
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"...dire cela sans savoir quoi..." Samuel Beckett in der Musik von György Kurtág und Heinz HolligerKunkel, Michael January 2006 (has links)
Zugl.: Basel, Univ., Diss., 2006
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Becketts Rhetorik des SprachmissbrauchsMerger, Andrea. January 1995 (has links)
Thesis (Ph. D.)--Universität Heidelberg, 1993. / Includes bibliographical references (p. 329-344) and indexes.
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Beckett's victors quests without qualities /Shields, Paul Stuart. Gontarski, S. E. January 2005 (has links)
Thesis (Ph. D.)--Florida State University, 2005. / Advisor: Dr. S. E. Gontarski, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed June 14, 2005). Document formatted into pages; contains vii, 141 pages. Includes bibliographical references.
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The artist-hero novels of D.H. Lawrence, James Joyce, and Samuel Beckett and the transformation of aesthetic philosophy /Gleason, Paul William, January 2000 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 400-412). Available also in a digital version from Dissertation Abstracts.
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Clown, extistential man and "the res itself" : a consideration of clown as image of man in the works of Samuel Beckett with special reference to the stage plays /Rowsell, Mary Dalton. January 1975 (has links)
Thesis (M.A.) -- Memorial University of Newfoundland. 1975. / Typescript. Bibliography : leaves 215-223. Also available online.
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