Thesis (M.A.)--Georgia State University, 2009. / Title from file title page. Carmen Schlig, committee chair; Victoria Rodrigo, committee member. Description based on contents viewed June 17, 2009. Includes bibliographical references (p. 88-89).

Thesis (M.A.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 62-63). Also available in print.

Thesis (Ph. D. )--Washington State University, May 2006. / Includes bibliographical references (p. 133-145).

Thesis (M. (Communication Pathology))--University of Pretoria, 2006. / Includes bibliographical references.

This inquiry into teacher education explores the potential for using multicultural children's literature to broaden preservice teachers' orientation toward the value of multiculturalism. The setting for this collaborative exploration was a College of Education course on Children's Literature during the 1992 spring semester. Literacy experiences with multicultural literature were created to provide preservice teachers with an opportunity to critically reflect on their awareness and understanding of multiculturalism. Weekly small group literature discussions, roving dialogue journals among three students and the university teacher, and end-of-semester interviews with each student were the primary sources of data collected during the semester. Findings from the analysis of data indicate the need for multicultural children's literature that accurately and authentically presents unique, diverse, and universal characteristics of a specific culture. Of equal importance to the selection of multicultural literature is the multicultural experience with these books which creates a critical consciousness among children and teachers. Evidence of the generative nature of dialogic experiences was seen where a multiplicity of voices pushed preservice teachers' awareness, acceptance, and appreciation of multiculturalism. As students reflected on their perspectives on culture that extended far beyond ethnic or racial perspectives, understanding of their own and other cultures was broadened. The results of this inquiry indicate the need for teacher education that is multicultural. A teacher's critical consciousness of the value of multiculturalism can transform her/his work with children in classrooms. Teacher themselves need opportunities to expand their orientation toward learning and living in a pluralistic society in order to foster critical students/citizens who actively participate in the nation's democracy.

Thesis (MPhil)--University of Stellenbosch, 2007. / Bibliography. Also available via the Internet.

Thesis (M.A.)--University of Hong Kong, 2001. / Includes bibliographical references.

Thesis (doctoral)--Université Paul Valéry (Montpellier III), 1993. / "Lille-thèses, ISSN, 0294-1767"--Fiche header.

This Master of Arts project comprises a novel, Severance Packages, written for electronic and digital publication, and an accompanying exegesis that contextualises the novel in relation to its genre and to the emerging field of electronic and digital publication in Australia.

This research project in performance studies is anchored around the writing, devising and performing of a series of three solo performance works entitled Rapture, Rapture II, and Rapture III. Rapture III was examined in partial fulfilment of the requirements for the degree of Doctor of Philosophy. This written document, including annotated scripts for each of the performances, and one three hour video tape, is submitted in further partial fulfilment of the requirements for the degree. The written document, examined performance of Rapture III, and video documentation constitute the 'thesis' submitted in total fulfilment of those requirements. This thesis draws on tropes of 'tyrannies and lies', 'defying gravity', 'presence and absence', 'subjectivity', 'knowledge and truth', and 'discourse' itself. These tropes are heuristically derived from the author's professional performance training experience ' with Monika Pagneux, Philippe Gaulier, Anzu Furukawa, Theatre de Complicite and Pantheatre ' and from wide readings 'around' performance making. The thesis engages with James Hillman's writings in imaginal psychology, the theories of Jean Baudrillard, Deleuze-Guattari, Roland Barthes, Adam Phillips, Helne Cixous, and Italo Calvino. The 'movement' of the thesis ' between the inception of ideas, through writing of scripts and devising and performing the solo works, to writing as a continuation of performance, and exegeses of the solos and their processes -is conceived as 'dialogical'. Each of the elements is seen to be in critical 'conversation' with the others, and not (necessarily) prescriptive or descriptive of them. The performative 'action' of the thesis is framed as a series of 'excursions' and is related within the written document to 'dis-coursing'. Both in the writing and performance making (including video), the thesis interrogates 'subjectivity' and processes of subjectification by means of performance. It contends that subjectivity is the 'stuff' of performance, and vice versa. Fictional, artificial, and imaginal, the language of performance re-doubles itself as the 'real' in the postulate that what is 'real', always and already - in philosophy, psychoanalysis, and discourses of 'identity' and the 'self' - is performance itself. More than 'performative', these are some of the sites, the 'stuff', the very phenomena of performance: the 'thing' of performance, what it is.