When an influencer 'it girl' gets canceled, she fakes lupus to salvage her image and agrees to charity-host a lupus-suffering tween superfan who could either save her reputation or expose her as a fraud.

An obsessive, homebody widower accidentally spills his late husband’s ashes into a plant. The plant then speaks and it’s in the voice of his beloved. The widower rejoices until the plant and his no-nonsense mother-in-law lead him on a journey to scatter the remaining ashes, the fuel for the plant’s voice, and say goodbye forever.

This study has attempted to explore the myriad ways talk radio is tied to everyday life in Mauritius. As a point of departure, this study has considered the success of Mauritian private radio stations as a social phenomenon that deserves attention. It has delved into the ways talk radio, especially their morning talk radio programmes, are tied to notions of citizenship, democracy and development. Anchoring popular talk radio as practice, the study has used a multilevel approach to find out what do people do to talk radio, what kinds of engagement are pursued, which ethical considerations are valued and the implications for citizenship and democracy in a Mauritian context of power differentials and social inequalities. Following a three tier approach implying discourse analysis of morning talk radio, focus group discussions with listeners as well as in-depth interviews of journalists, this study has underlined the importance and significance of the new political that has emerged, highlighting the fact that the democratisation of the radio airwaves in 2002 has allowed political engagements and participation of ordinary people hitherto excluded from the Mauritian public sphere. Against the perspective that views the public sphere as constituted unequivocally in rationality and consensus, this study contends that talk on morning talk radio is inherently conflictual and is performed in reason and affects. Anger, fear, anxiety, hope and solidarity are discursive resources that define the life trajectories of ordinary people but are also ways for listeners to “feel their way” into the stories and to bond together to create a sense of engaged community however fleeting these communities may be. The ethics of care and solidarity afforded by talk radio journalists to these communities shift understandings of the liberal democratic norms of journalism from professionalism to “interpretive communities” that are characterized by social reciprocity. Adopting a decolonial approach that foregrounds the importance of listening to the lived experiences of people, this study finally makes the case for an ethics of listening that is based on re-imagining the conditions for talk radio journalists to listen deeply to people, especially to marginalized communities as a way for journalism to stay relevant while improving the capabilities of people and consolidating the conditions of living together well.

This study critically analyses the coverage of the three main political parties (ANC, DA and EFF) in the 2019 elections by the South African Broadcasting Corporation (SABC). The SABC has been one of the main sources of information for millions of citizens across the country and many South Africans rely on the SABC for news concerning election proceedings. Therefore, the study aims to observe the role of the SABC in society, and politics during the 2019 elections in South Africa. The objective of this dissertation is to investigate whether the SABC‘s coverage was fair on the three main political parties or not. This research chose to use framing and social responsibility theory as guidelines to reliable and convincing information. Data for this research was obtained through secondary data from the SABC online channel; the study used election reports and its visuals such as pictures, videos for analysis. The study further used videos from the beginning of 2019 election campaigns, until the last day of elections which was scheduled on the 10th of May 2019. According to the research findings, the SABC did not represent the real image of the political parties which may be regarded as unprofessional and may taint the quality of their work. The research shows that in the media there are deep-rooted social and cultural issues that need transformation. The studies notes that media reforms can be the solution to some of the issues discussed in this dissertation. During election period the media was seen as bias, giving more coverage to the ruling party and this conduct led many to conclude that the SABC was used as a mouthpiece of certain political parties. However, the study also observed that there are traditional news factors that influenced the news selection.

Bianca is the baby of her large Colombian/Puerto Rican family. She will use that and her spitfire personality to her advantage any chance she gets. A heated debate is her love language and sarcasm, the enemy. A lover of surreal worlds, Bianca thinks of herself part of her own Colombian crime family. Growing up on a healthy diet of campy black comedies and deep crime dramas, Bianca fuses the two in a new way. She would say her disability is the least interesting thing about her, but it does serve to give her a unique perspective on writing disabled characters. With a flair for the overdramatic, at least one of her characters dies in her scripts, but they always deserve it. Bianca was lucky enough to serve as Associate Producer on a feature starring Anthony Hopkins. He didn’t die in that one.

This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections. / Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2019 / Cataloged from student-submitted PDF of thesis. / Includes bibliographical references (pages 162-174). / by Libby Falck. / S.M. in Comparative Media Studies / S.M.inComparativeMediaStudies Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing

Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, May, 2020 / Cataloged from the official PDF of thesis. / Includes bibliographical references (pages 72-75). / The furry fandom is a loose-knit online subculture of fans devoted to anthropomorphic animal characters. Furries are not necessarily fans of specific media properties, but instead often create their own media, including the "fursona," an anthropomorphic animal character to represent oneself in the community. Conducting empirical research through interviews, participant observation, auto ethnography, and virtual ethnography, I have sought to understand this aspect of furry identity and sociality through a number of disciplinary lenses. In this thesis, I argue that furry queers fandom through several interrelated processes: severing fandom from textual objects; developing queer sex publics; paving new pathways to queer becoming; and displacing online identity through stylized, affective modes of embodiment. These fan practices, as articulated through the fursona, cohere into a queer worlding of virtual spaces. / by Ben Silverman. / S.M. in Comparative Media Studies / S.M.inComparativeMediaStudies Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing

Includes abstract. / Includes bibliographical references. / This paper explores the mobile social networking patterns of a sample of Black, White and Coloured adolescents attending three different schools in Cape Town, South Africa. The researcher utilises the Uses and Gratifications theory and qualitative research methodology in the form of focus groups and one-on-one semi-structured interviews to explore what gratifications this sample of students, aged 14-7 years, derive from three mobile social networking brands - MXit, Facebook and Twitter.

Background: As more people are using mobile phones to receive and read news, Twitter has become a popular communication tool, particularly for commercial brands in South Africa. This thesis investigates twelve South African organisations’ use of Twitter. It portrays Twitter as an informational network that allows conversational communication. It seeks to identify how commercial brands in South Africa use Twitter as a public relations/communication tool. Aim and Objective: In attempt to learn whether current South African tweets among certain organisations follow Western practices of public relations, the study aims to understand and identify how commercial brands in South Africa communicate with their publics through Twitter. Revealing the content of these organisations’ tweets facilitated the fulfilment of this objective.

Includes bibliographical references (p. 73-75). / Much of the developed world operates under what is referred to as liberal democratic capitalism. This implies government by the people, operating in a free and profit driven market, which in theory suggests an equality of voice and access to markets for personal profit. However the 'powerful movements of acceleration and excess' which Auge refers to above are less to do with the intentions of a liberal democratic capita list system and more accidental effects of it. This dissertation explores the constant push of commerce and the digital communication revolution as contributory factors to this hypermodern or globalised state.