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The fresco friezes of Palazzo Pamphilj in Piazza Navona, RomeRussell, Susan January 1999 (has links)
A survey of the painted frieze in Rome from the pre-Christian era to the 1630s shows that it had been a significant ornamentation for the interiors of buildings in Rome, in the sixteenth century becoming the major decoration for palaces of Roman nobility, an important conduit for narrative and heraldic information necessary to a family's prestige and social role. After 1560 the requirements of Catholic Reform and theoretical texts such as G.B. Armenini's treatise On the True Precepts of Painting influenced developments in both style and subject. Moralising messages simultaneously contained meanings specific to the patron. In addition, the genre of landscape became a popular subject capable of expressing spiritual ideals. The thesis then focuses on the Palazzo Pamphilj in Piazza Navona, Rome, where Giambattista Pamphilj commissioned ten narrative fresco friezes in two phases, originally to mark his promotion to cardinal (1629-1644), then to celebrate his ascendancy to the papal throne as Innocent X (1644-1655). Little has been written on the decorative programme and the thesis seeks to explain why Rome's leading patron adopted the 'old-fashioned' frieze when a more 'modern' form of decoration, the illusionistically painted barrel-vaulted ceiling, had been chosen by Innocent's predecessor, Urban VIII Barberini (1623-1644), whose family residence appeared likely to set new trends. Art historical problems of style, iconography, dating, attribution and patronage are addressed throughout.
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Ceramic murals /Furtun, Candeger. January 1900 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, (1961?). / Includes bibliographical references (leaves 52-53).
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Program och funktion i senmedeltida kalkmåleri kyrkmålningar i Mälarlandskapen och Finland 1400-1534 /Nilsén, Anna. January 1900 (has links)
Thesis (doctoral)--Uppsala universitet. / Summary in German, abstract in English. Includes indexes. Includes bibliographical references (p. [531]-538).
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Matthäus Günther die Freskomalerei im süddeutschen Kirchenbau des 18. Jahrhunderts,Gundersheimer, Herman S. January 1930 (has links)
"Einige Abschnitte dieses Buches lagen ... 1926 der Universität Leipzig als Dissertationsschrift vor."--Vorwort. / "Verzeichnis der wichtigsten Literatur": p. 95-96.
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The gate of heaven wall paintings with Old Testament scenes in the altar room and the h̲ūrus of Coptic churches /Loon, Gertrud J. M. van. January 1999 (has links)
Originally presented as the author's Thesis (doctoral--Leiden, 1999). / Includes bibliographical references (p. 212-253) and indexes.
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The mural as a decorative device in mediaeval literatureHarris, Elizabeth Lee, January 1935 (has links)
Thesis (Ph. D.)--Vanderbilt University, 1935. / Bibliography: p. [78]-89.
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The arts of man a fresco for the Sharadin Studio at Kutztown State College /Vernon, Louis H. January 1966 (has links)
Thesis (M.Ed.)--Kutztown State College, 1966. / Source: Masters Abstracts International, Volume: 45-06, page: 2753. Typescript. Includes bibliographical references (leaves [33]-34)
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Der Akathistos-Hymnos die Bilderzyklen in der byzantinischen Wandmalerei des 14. Jahrhunderts /Pätzold, Alexandra. January 1989 (has links)
Originally presented as Thesis (doctoral)--Universität Mainz, 1981. / Includes bibliographical references (p. [106]-111).
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Barrier ahead! sectarian murals, public art and spatial contexts in west Belfast, Northern Ireland (1981-2007) /Bowman, Amy J. January 1900 (has links)
Thesis (M.A..)--West Virginia University, 2009. / Title from document title page. Document formatted into pages; contains xv, 220 p. : ill. (some col.), col. maps. Vita. Includes two audio files in the MP3 format. Includes abstract. Includes bibliographical references (p. 211-215).
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A study of the mural-paintings in Princess Yung-t'ai's tomb of the T'ang dynasty Tang Yongtai gong zhu mu bi hua kao.Ho, Chi-wah, Helen. January 1968 (has links)
Thesis (M.A.)--University of Hong Kong, 1968. / Also available in print.
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