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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
91

Identities, memories, histories and representation : the role of museums in twentieth century KwaZulu-Natal.

Dlamuka, Mxolisi Chrisostomas. January 2003 (has links)
The history of museums in South Africa dates back to 1825 when the South African Museum (SAM) was established in Cape Town. Initially museums in South Africa were established for science and local history was seen as peripheral. Nevertheless, this began to change during the early 1920s as artifacts of historical nature gained popularity, saving them from historical oblivion in museums. Museums themselves broadened their role to become major centres of both scientific and historical knowledge. When museums started to include historical artifacts, they entered a terrain which was influenced by a racist ideology of segregation and then apartheid. Thus, they became centres of political discourse and mirrors of the white domination in South Africa. From the 1920s museums served to propagate certain myths which was based on the subjugation of Africans by white settlers. Museums played a pivotal role in entrenching ideas of white settlement in Natal as a triumph over barbarism, savage and heathenism. Exhibitions within the museums reflected certain identities at the expense of others. It was not until the 1980s that the political scenario forced museums to examine their role and adapt to the new order. This marked the beginning of a new dispensation in the politics and poetics of museum displaying. During the 1990s issues of representation in museums became popular. Historians were among those who became interested in the question of how to represent the South African a turbulent past in a post apartheid South Africa. This era was characterized by new displays which are more accommodative and represent diverse population groups of South Africa. Exhibitions in museums always involve political ramifications and ideas within exhibitions draw reference to the powerful groups in the making of political and social discourse. During the post- apartheid era, KwaZulu-Natal museums reflect new identities which are based on non-racialism and interaction of diverse people of the province. They no longer serve as reference point for white domination and educational programmes are more multidimensional and appeal to all sectors of our society. The thesis adopted in this piece of work is that museums are political institutions and reflect the political identities of the society that they live. They cannot be divorced from their time and circumstances. / Thesis (M.A.)-University of Durban-Westville, 2003.
92

Museums and civic engagement in the Pacific Northwest /

Van Der Stad, Sarah Gratia, January 2007 (has links)
Thesis (M.S.)--University of Oregon, 2007. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 90-93). Also available online.
93

Economies of culture : theme parks, museums, and capital accumulation in China, Hong Kong, and Taiwan /

Ren, Hai. January 1998 (has links)
Thesis (Ph. D.)--University of Washington, 1998. / Vita. Includes bibliographical references (leaves [199]-219).
94

Meditation on the narrative of space: the literature.

January 2010 (has links)
Siu Kwok Hing, Clement. / Subtitle on added t.p.: The literature garden. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2009-2010, design report." / "May 2010." / Includes bibliographical references (p. 74-75). / Chiefly in English, some text in Chinese. / Prolog --- p.8 / Definition --- p.10 / Architectural precedent / Chapter - --- Suzhou Chinese Garden --- p.14 / Chapter - --- Architectural Promenade --- p.24 / Chapter - --- Narrative of light --- p.28 / Non-architectural precedent / Chapter - --- Narrative of literature --- p.30 / Chapter - --- Narrative of movie --- p.34 / Area Analysis --- p.36 / Site Analysis --- p.40 / Design Strategy --- p.48 / Biblography --- p.74
95

Art information use and needs of non-specialists : evidence in art museum visitor studies /

Smith, Martha Kellogg. January 2006 (has links)
Thesis (Ph. D.)--University of Washington, 2006. / Vita. Includes bibliographical references (leaves 212-234).
96

Das amerikanische Kunstmuseum und die Öffentlichkeit Untersucht an einer Auswahl museologischer Konzeptionen der Gegenwart.

Giesen, Johannes-Martin, January 1900 (has links)
Inaug.-Diss.--Heidelberg.
97

Virtual museum exhibitions an exploration of the relationship between virtual exhibitions and visitors' responses /

Park, Namjin. Waxman, Lisa. January 2003 (has links)
Thesis (M.S.)--Florida State University, 2003. / Advisor: Dr. Lisa Waxman, Florida State University, School of Visual Arts and Dance, Dept. of Interior Design. Title and description from dissertation home page (viewed Apr. 7, 2004). Includes bibliographical references.
98

The Artpark : an Open-Air Museum Yung Shue Wan, Lamma Island /

Lo, Kit-sum, Stephanie. January 2002 (has links)
Thesis (M. Arch.)--University of Hong Kong, 2002. / Includes bibliographical references.
99

Hong Kong natural history museum /

Chan, Fat-tim. January 1996 (has links)
Thesis (M. Arch.)--University of Hong Kong, 1996. / Includes special report study entitled: Natural light, museum and underground space. Includes bibliographical references.
100

The traditional Chinese medicine centre : at the Hong Kong Museum of Medical Sciences /

Kong, Oi-yan, Isabella. January 2001 (has links)
Thesis (M. Arch.)--University of Hong Kong, 2002. / Includes special report study entitled: Materia medica. Includes bibliographical references.

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