The thesis aimed to analyze the depiction of the monetary reform in 1953 in Czechoslovakia in the regional printed media in Olomouc (Stráž lidu and Časopis Krajského národního výboru Olomouc) and to compare the published reports at the regional level with the national press (Rudé právo and Svobodné slovo). A more detailed look into the situation was also provided by examining the archival documents of political authorities (HSTD, the press department of the KV KSČ in Olomouc and the KNV Olomouc) who were in charge of the analyzed newspapers and the aim was to find out whether the written instructions to individual editors on how to report about the economic changes in the newspaper were preserved. For the analysis of archival materials and preserved copies of selected newspapers, I chose the historical direct method, historical-comparative method and narrative analysis. Research in the archives did not provide direct evidence that the competent state authorities in charge of the analyzed periodicals passed instructions on what is to be printed about monetary reform to the editors of each analysed newspapers. However, the fact that the notes on instructions have not been preserved does not preclude their existence. Thanks to the historical-comparative method it was possible to find based on the...

Názov práce: Art Spectator and his/her Reflection in Theory and Artistic practice in Czechoslovakia in 1950s and 1960s PhD Candidate: Eliška Mazalanová Department of Arthistory Supervisor: doc. PhDr. Marie Rakušanová, PhD. 2019 The dissertation thesis aims to analyze the issue of the viewer or the audience of Czechoslovak visual arts of the 1950s and 1960s. It focuses on the period when a directive method of political and social engagement of art in the form of socialist realism has been applied and on the subsequnet period when the Czechoslovak art scene has been re- establishing its previous developments. The thesis focuses primarily on the latter period, in which new trends in the visual arts were adopted and authentically developed. Their specificity lies in the increased interest in the art spectator, also characterized by a changed relationship of art and its audience, which I also call as a turn to the spectator. The thesis is interested in the historical frameworks and characteristics of the social function of art, in the various forms of art's social commitment, its political or ideological function. The artist's approach to the recipient of his or her works was also significantly determined by the official cultural policy; these new trends were also defined or somehow related to them. Therefore,...

This diploma thesis is about forensic science, criminal acts and organization of protective security units investigating such activities in the former Czechoslovakia between the years of 1948 and 1969. It also indicates how the criminal activity was developed in the Czechoslovakia and how the former police departments took part in the investigation. The course of the investigation, the crime investigation methods, and the theoretical bases of that time, on which the forensic science was based, are thoroughly described on specific serious crimes. The thesis mainly draws from the primary resources such as archive research, notably from the Security Service Archive's materials, and the periodical press. Keywords Forensic science in the Czechoslovakia, "Department of Public Security" (Veřejná bezpečnost), murder, criminal activity, criminal offence in the Czechoslovakia, Security Services Archive

Summary: The thesis "Folk As a Social Phenomenon in the Time of So Called Normalization" does not take folk primarily for a music style but it intends to demonstrate its limits the Communist power in Czechoslovakia had set for independent cultural activities in 1970s and 1980s. That is why the thesis is not a musicological one but a political and historic one. The text is based on a wide basis of sources: studies in archives, the analysis of valid legislation of that time, studies of contemporary press, interviewing the contemporary witnesses and using the witnesses' private archives and last but not least the lyrics of the songs themselves have been selected as important sources The text focuses on important milestones having the information value about the folk in 1970s and 1980s. There is provided an analysis of qualification tests which should have "cleansed" the official stages from "defective" musicians (and from a lot of folk singers as well). The demonstration of possibilities is given here showing the fact the folk could survive and balance on the edge of the public life in spite of all legislation barriers and this either in the form of circumventing the law and using the gaps in the law (folk singers' union Šafrán (Saffron)) or in the form of "hacking" the system, i.e. gaining influence in an...

Diploma thesis is focused on the administration of the printed journalism by Ministry of Information (from October 1948 Ministry of Information and Education). Ministry was responsible for administration of the printed journalism from May 1945 to January 1953, when was dissolved. Thesis is divided into seven main chapters. The first one sets the topic into Czechoslovak history in years 1945-1953. The second section is focused on the restoration of Czechoslovak Republic during Second World War via perspective of legal and constitutional development. The third chapter characterizes the authority of the government and the ministry in the years 1945-1953. The fourth part deals with administration of the printed journalism before May 1945, which is structured according to historical periods. Period view of the printed journalism in observed period is topic of the fifth chapter. The sixth section is focused on personality of the Minister Václav Kopecký. The last chapter deals with own topic and it is divided into two subchapters (era of years 1945-1948 and 1948-1953). Both of parts contains description of structure of main printed newspapers and magazines, the legislative determination of the printed journalism and the establishment, changes in the internal structure of ministry and the dissolution of...

The study analyzes the largely understudied cinematic cooperation between Czechoslovakia and Cuba in the first decade following the Cuban Revolution. It is based mostly on archival documents from the former Central Directorship of Czechoslovak State Film, the ministry of education and culture and the ministry of foreign affairs. Several chapters also draw from oral history, data collected from series of interviews with Cuban technicians and artists who have worked in Cuban cinema since the 1960s as well as Czechoslovak experts who worked at the Cuban Institute of Cinematographic Arts and Industries in the 1960s. The Cuban Institute of Cinematographic Art and Industry (CICAI), founded in March 1959 shortly after the triumph of the Revolution, faced a shortage of human and material resources since its inception. The film industry, which had been mostly in the hands of the Americans before 1959, lost much personnel due to mass emigration. Later on, due to the American blockade and embargo, it also lost its most important provider of films, material and equipment. The majority of CICAI's technician and artists were just starting and were lacking in technical knowledge required to make films. Czechoslovak State Film (CSF) offered extensive help to Cuban cinema, especially in the area of developing the...

The thesis research is devoted to activities of the Ukrainian Husbandry Academy, which existed in Podiebrady during 1922-1935 and developed into the first Ukrainian Polytechnic, where youth from the different Ukrainian territories, belonging to Poland, Hungary, Romania, USSR could get free education. This academy became "an island of Ukrainian culture" in a foreign land. The paper reviews the formation of this unique high school and its periodization, as well as its successor - the Ukrainian Technical Husbandry Institute of correspondence education (1932-1945), which appeared in exile due to the financial support of Czechoslovak government and donations of Ukrainians around the world. The last chapter is devoted to UHA broad publishing activities and attemp to list its educational works, which have been found in the several Czech archives as the parts of raw archival funds. Some aspects of the thesis concern the little-studied UHA contribution to the formation of economic, polytechnic and agricultural terminology in the modern Ukrainian language, as well as its librarianship together with the information about the location of UHA library in the Czech Republic.

The thesis deals with Czech translations of Swedish literature and their reception between 1948 and 1989. Against the background of contemporary societal changes and culture policy, it tries to answer the questions who, why, when and under which circumstances translated Swedish literature and how the political situation influenced the selection, the translation process and the publishing of the works. The thesis describes individual translations in their contemporary historical, cultural and social context. It also includes reactions to Swedish literature in Czech press, most notably reactions were published in the Světová literatura journal. The thesis also contains a bibliography of the translations that were published during the period and profiles of the most prominent translators.

This thesis examines the role of Czech writer Edvard Valenta (1901-1978) in post-war Czechoslovakia journalism. The overview part of the paper tracks Valenta's texts published from 1945 to 1948 in Svobodné noviny and in magazine Dnešek. Attention is also devoted to Edvard Valenta's correspondence not only with many Czech writers, but also with his own family. Based on archival research and eyewitness accounts, this work tries to capture the life and the career of Czech journalist and writer Edvard Valenta, including his imprisonment after february 1948. The work focuses on the facts that were not known about Edvard Valenta yet, trying to organize them and to make them available for any further research or to organize them and to make them available for any further research or writing of Valenta's monography. Furthermore, the contemporary journalism situation is outlined as well as the political interventions into cultural issues. The selection part of the paper deals with the analysis of specific polemical texts among literary groups and authors with different political beliefs. The aim is to highlight the importance of Edvard Valenta in journalism field in the Third Republic and to highlight the inextricable connection of literature and journalism. Keywords: Czech literature of the second half of...

The diploma thesis focuses on changes of the life of the German minority that was living in the Czechoslovak Socialist Republic at the turn of the 1960s and 1970s, in connection with the then press. The thesis deals with an influence of the reviving process, which is called Prague Spring and then the period of normalization on the progress of status of the German minority in the Czechoslovakia. The thesis presents events of the year 1968, that are related to the national minorities policy which led to reception of the Constitutional Act No. 144/1968 Coll., about the status of the national groups in the state. I also analyse the activisation of the members of the German minority for the purpose of formation of their cultural association named "Kulturní sdružení občanů ČSSR německé národnosti" (the Cultural association of the citizen of the German nationality in the Czechoslovak Socialist Republic), which was enabled on the ground of the aforesaid constitutional law. The text also deals with the start of the period of normalization and its consequences for the German minority. The thesis also analyses the Czechoslovak media at the turn of the 1960s and 1970s with special regard to the only periodical press in the German language called the "Prager Volkszeitung". A very important part of the text is...