The thesis deals with famous Czech flutists who have been pedagogically active at the Music Faculty of the Academy of Performing Arts in Prague (hereafter referred to as “HAMU”) and the flutists who are still pedagogically active today. The work is divided into two larger sections which include two bigger topics. The first one describes the concept of the Academy of Performing Arts in Prague (hereafter referred to as “AMU” or “Academy”), especially its establishment and historical development. The second chapter titled The Flute Pedagogues at AMU in Prague is a principal one of this thesis. There are the names of pedagogues with their curriculum vitae and by the current teachers their connection to HAMU as former students and current educators. This chapter also points out important students who have received engagement in major positions of leading Czech or foreign orchestras or have started their career as solo players.

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Práce navrhuje změny či případné postupy v oblasti nákupu a prodeje,doplňuje činnosti, které v současné době ve fungování těchto útvarů scházejí.Zabývá se organizací oddělení nákupu a prodeje, strategickým a operativním nákupem,prodejní činností ve společnosti a řízení zdrojů nutných k provádění obchodních operací.

The subject of the thesis Desgning complementary activites that will lead to increase revenues of contributory organizations is working schedules in the framewok of complementary activities. Under the theoretical background there are named basic terms, determination autonomous organizations established by local authorities, the principles of their financing operations, In the next chapter there is described the management of concrete allowance organization, its current activity, additonal profit generated there, consequently suggested of the new possibilities for complementary acitivities and their profitability. Revenues are estimated from ancillary activities the work cntemplated Higher Vocational School included to current secondary school, gym rental income and income from a school camp organized for the potential students. The final chapter summarizes the results and evaluates their contributon to specific allowance organization.

This thesis presents research about the very successful career of the Czech musician and pedagogue Milan Kostohryz (1911-1998). He made a substantial contribution to composition of new pieces, re-building historical instruments, developing new instruments, revising many old compositions, and he gave instruction to a number of excellent players. His work made impact and gained recognition on an international level. The research in this thesis is based mainly on original written correspondence, and partially on personal memories of his contemporaries and family, as well as on a few public resources and preserved sound recordings.

The subject of this thesis is the sociocultural role of associations in small localities, which are villages and small towns. Through two selected interest activities typical for small localities and organized on the basis of associations / clubs, soccer clubs and volunteer fire, are explored traditions in selected municipalities and scope of current community activities. Importance is attached to social relations acting both within societies and among them. The theoretical basis is for them the concept of Ferdinand Tonnies Gemeinschaft und Gesellschaft, which indicating two types of social relations based on a distinction between two kinds of human will. Qualitative research focused on the perception of traditions, current status, mission and needs for the future with regard to the development activities carried out by three generations of representatives of these associations shows generational differences in perceptions of community activities. Through systematic registration of current needs with regard to the future development of community activities outlines this thesis opportunities for mutual cooperation, leading not only benefit the organizations themselves, but also for the location in which these associations are.

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The thesis aims at the classical singing technique within the context of the postural function and the body posture. The center of attention is the question, how does the position of the body taken while singing influences the technical and sound quality of the professional singing performance, considering the close relationship between the classical singing technique and the physiological process of breathing, as well as the close link between breathing and the posture. This topic is being seen from the kinesiological point of view, as well as from the singing point of view and the acquired knowledge is afterwards being applied on the particular vocal piece.

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