This project explores the question of gay male identity and community formation in relation to the production of social space designated as "gay." What economic, social, political and symbolic resources are involved in the production of gay space? And how can social space be thought of as creating the conditions of possibility for the formation of specific gay identities and communities? / Using a "production of space" analysis adapted from the work of Henri Lefebvre, I examine the case of Montreal's gay village. I argue that the emergence of this space, in both material and symbolic terms, has led to a particular sense of "spatial identity" among many gay men in Montreal. I analyze the implications of these "space-based" identities for queer community formation and conclude that the Village constitutes a compromise with the dominant culture, rather than a radical form of spatial praxis.

Thesis (MA (AborStud))--University of South Australia, 1995

Australia had the world’s first gay film festival at the Sydney Filmmakers Co-op in June 1976, part of a larger commemoration of the Stonewall Riots in New York City of 1969. In 1994, South Africa became the first country in the world to prohibit discrimination in its constitution on the basis of sexual orientation, whilst allowing for positive discrimination to benefit persons disadvantaged by unfair discrimination. South Africa and Australia, both ex-British colonies, are used in this analysis to explore the way local Queer Cinematic Cultures have negotiated and continue to negotiate dominant social forces in post-colonial settings. It is rare to have analyses of Queer Cinematic Cultures and even rarer to have texts dealing with cultures outside those of Euro-America. This study offers a unique window into the formations of Queer Cinematic Cultures of two nations of the ‘South’. It reveals important new information on how sexual minorities from nations outside the Euro-American sphere have dealt with and continue to deal with longstanding Queer cinematic oppressions. A pro-active relationship between Queer representation in film and social-political action is considered by academics such as Dennis Altman to be essential for significant social and judicial change. The existence of Queer and other independent films in Sydney from the 1960s onward, impacted directly on sexuality, race and gender activism. In South Africa, the first major Queer film festival, The Out In Africa Gay and Lesbian Film Festival in 1994, was instrumental in developing and maintaining a post-Apartheid Queer public sphere which fostered further legal change. Given the significant histories of activism through Queer Cinematic Cultures in both Australia and South Africa, I propose in this thesis the existence of a new genus of cinema, which I term Fifth Cinema. Fifth Cinema includes Feminist Cinema, Queer Cinema and Immigrant/Multicultural Cinema and deals with the oppressions which cultures engage with within their own cultural boundaries. It can be informed by First Cinema (classical, Hollywood), Second Cinema (Art House or dual national cinemas), Third and Fourth Cinema (cinemas dealing with the decolonisation of Third World and Fourth World people), but it develops its unique characteristics by countering internal cultural colonisation. Fifth Cinema functions as a heterognosis, where multi-dimensional representations around sexuality, race and gender are used to assist in broader cultural liberation.

The gay sauna played a central role in the battle for gay liberation in Sydney during the latter part of the twentieth century. This thesis examines the conjunction of social and political forces which contributed to the acceptance of the gay sauna by Sydney???s civic society. Two questions reveal this process: 1. How was an illegal and clandestine place for homosexuals, perceived as a threat to the moral standards of Sydney, transformed into an institutional entity, legally recognised as ???crucial???, and important within particular environs of this city? 2. How did the evolving public domain of gay saunas contribute to the development of gay culture in Sydney by fostering the opportunities for individual and collective expression of homosexual practices? This study is contextualised within international and Australian studies of the sexualisation of urban spaces???such as Michel Foucault???s, Manuel Castells??? and Lawrence Knopp???s???and the role of the built environment in the development of sexual identity and sexual practices???such as Gayle Rubin???s, John Ricco???s, and Joel Brodsky???s. The first part of the thesis is an empirical analysis of development applications for gay saunas in Sydney between 1967 and 2000 which reveals the play of forces within state and local government, legislative processes, the homosexual community and broader civic stakeholders through which the gay sauna achieved acceptance in Sydney???s civic society. Two principal research approaches???documentary research and twenty in-depth interviews???were used in this first part. The second part of the thesis is an ethnography that uses twenty-nine in-depth interviews to provided a unique insight into the evolving public domain of Sydney???s gay saunas and how they fostered the experiences of gay men, allowing gay men to develop individual and collective sexual identities and practices. This exploration of the interplay of built form, sexuality, civic governance, social identity and social action provide a sociological contribution which will also be of interest to gay studies, anthropology, architecture, geography and planning. Essential to an experience of the thesis is a concurrent reading of the Special Enclosures???a schematic chronology of Sydney gay saunas, plans of Sydney and architectural plans of its saunas.

Thesis (D. Min.)--Southwestern Baptist Theological Seminary, 2005. / Includes bibliographical references (leaves 194-199).

Thesis (M.A.). / Written for the Dept. of Art History and Communication Studies. Title from title page of PDF (viewed 2008/03/12). Includes bibliographical references.

Thesis (MA)--University of Stellenbosch, 2007. / Bibliography. Also available via the Internet.

Thesis (Ph. D)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 194-208).

Thesis (M. A.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.

Thesis (M. Div.)--Emmanuel School of Religion, Johnson City, Tenn., 1996. / Vita. Includes bibliographical references (leaves 115-117).