Global ETD Search

11	Mastering Chopin's Opus 25 a pianist's guide to practice / Kwak, Jason Jinki. January 2003 (has links) Treatise (D.M.A.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Also available from UMI.
12	Accent markings in Schubert's piano sonatas 譚詠基, Tam, Wing-Kei, Ruth. January 1992 (has links) published_or_final_version / Music / Master / Master of Philosophy Musical notation.
13	The Traditional Mbira on Stage: A Study of Contemporary Performance Practices Pickard, Mackenzie Erin January 2010 (has links) This thesis explores the challenges (visual, aural, ethical, and spiritual) performers face when playing mbira dzavadzimu, a traditional Zimbabwean musical lamellophone, in a contemporary concert stage setting. In addition to examining historical, philosophical, and theoretical issues regarding changing performance practice and staging techniques in different contexts, the document includes analyses of mbira performances from internet video postings and documentary films. Analysis draws upon the personal testimonies of Zimbabwean musicians and involves the critique and application of theoretical perspectives of Adrienne Kaeppler, Richard Schechner, and Erving Goffman, among others. Results indicate that experimenting with stage set-up, utilizing technological enhancement, and encouraging audience-performer relationships creates an experience that is closer to that found in Zimbabwean mbira performances. mbira mbira dzavadzimu performance frame performance practice
14	Nicolas Gigault's Livre de musique pour l'orgue as a source on Notes inégales Pyle, Daniel Sherman. January 1991 (has links) Thesis (D.M.A.)--University of Rochester, 1991.
15	Soundpainting as a system for the collaborative creation of music in performance Duby, Marc. January 2006 (has links) Thesis (PhD (Music))-University of Pretoria, 2006. / Abstract in English. Includes bibliographical references. Available on the Internet via the World Wide Web.
16	A comparison of performance practice of selected clarinet passages in orchestral auditions and orchestral performances Schoen, Theodore A. Kowalsky, Frank. January 2004 (has links) Treatise (D.M.A.) -- Florida State University, 2004. / Advisor: Frank Kowalsky, Florida State University, School of Music. Title and description from treatise home page (viewed 2-11-05). Document formatted into pages; contains 146 pages. Includes biographical sketch. Includes bibliographical references.
17	Accent markings in Schubert's piano sonatas / Tam, Wing-Kei, Ruth. January 1992 (has links) Thesis (M. Phil.)--University of Hong Kong, 1992. / Includes bibliographical references (p. 83-85).
18	A touch of Leri the beliefs, attitudes and perceptions of an elementary student in Cyprus about his experiences in different music-making and learning practices / Papazahariou, Maria George. January 2008 (has links) Thesis (M. Mus.)--Michigan State University. Dept. of Music Education, 2008. / Title from PDF t.p. (viewed Sept. 14, 2009). Includes bibliographical references (p. 132-134). Also issued in print.
19	Vivaldi's Cello sonata in E minor, RV 40 : a new approach to historical performance for teachers and students / Cox, Eleanor Christman. Vivaldi, Antonio, January 1900 (has links) Thesis (D.M.A.)--University of Wisconsin--Madison, 2009. / Includes bibliographical references (p. 76-80). Also available on the Internet.
20	Interrogating the aesthetic : the 'historically informed performance' contribution / Lewis, Bethan. January 2004 (has links) (PDF) Thesis (M.Phil.) - University of Queensland, 2005. / Includes bibliography.

Search results