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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

李斯特《b小調第二號敘事曲》 演奏詮釋報告 / The Analysis and Interpretation of Franz Liszt Ballade No.2 in b minor

林子程, Lin, Tzu Chen January 1900 (has links)
鋼琴,樂器之王;李斯特,鋼琴之王。他以目眩神迷的鋼琴技巧、誇張的表現力、優美的歌唱旋律征服所有人。詩人杜甫曾說過:「讀書破萬卷,下筆如有神。」。筆者認為李斯特則是「彈琴破萬次,音樂如有神。」。在鋼琴之王李斯特七十五年的生涯中,所創作的音樂作品包羅萬象。這些形形色色的鋼琴作品中,大致上可分為原創性作品及改編作品,本篇論文探討的作品屬於原創性作品。李斯特一生中創作兩首敘事曲,第一號敘事曲創作於1848年,完成於1849年; b小調第二號敘事曲,創作於1853年也完成於同一年。鋼琴家阿勞(Claudio Arrau, 1903-1991)曾經在霍洛維茲(Vladimir Horowitz, 1903-1989)所著的《與鋼琴家阿勞的對話》(Conversations with Arrau)中表示李斯特《第二號敘事曲》是遵照「席洛與黎安德」(Hero and Leander)的愛情故事來描寫的。李斯特在《第二號敘事曲》中賦予這個故事新的生命,運用主題變形的手法描繪黎安德以及席落在故事裡的性格以及種種感受。由於筆者受到此神話故事的感動,因此想要以音樂的角度來體會其故事中角色的變化與情境。 / Piano is the king of musical instruments; Liszt, the king of the piano. His brilliant techniques on piano, exaggerated expressions in music and beautiful melody have conquered all the people. A great Chinese poet Du Fu once said, “Read wild, and you will wisely write.” The author sincerely believes that Liszt’s works have the same vein“Practice wild and you will wisely play.” In his 75 years’ career, he has composed all sorts of piano works. In these works, they in general can be classified into two types: originals and transcriptions. The paper investigated the original one. Liszt composed two ballades during his life: Ballade No.1 was composed in 1848 and completed in 1849 while Ballade No.2 in b minor was composed and accomplished in 1853. Pianist Claude Arrau, in the book “Conversation with Arrau” written by Valdimir Horowitz(1903-1989), once claimed “Liszt’s Ballade No.2 was based on a Greek mythology also known as a love story– Hero and Leander. Touched by the mythology, the author would like to experience the scenarios of those characters in the mythology in the context of music. / 中文摘要…………………………………………………………………………………………………………I Abstract……………………………………………………………………………………………………II 目錄………………………………………………………………………………………………………………III 表目錄……………………………………………………………………………………………………………VI 圖目錄………………………………………………………………………………………………………………Ⅴ 譜例目錄…………………………………………………………………………………………………………Ⅵ 第一章緒論………………………………………………………………………………………………………1 第一節研究動機與目的…………………………………………………………………………………1 第二節研究範圍與方法…………………………………………………………………………………3 第二章李斯特的時代………………………………………………………………………………………4 第一節浪漫主義興起與時代背景…………………………………………………………………4 第二節李斯特生平與鋼琴作品分期………………………………………………………………7 第三節李斯特的炫技與對鋼琴技巧貢獻……………………………………………………20 第三章李斯特《b小調第二號敘事曲》創作背景探討……………………………35 第一節敘事曲歷史發展簡述…………………………………………………………………………35 第二節創作背景及神話故事…………………………………………………………………………39 第四章李斯特《b小調第二號敘事曲》樂曲分析與演奏詮釋………………43 第一節呈示部……………………………………………………………………………………………………46 第二節發展部……………………………………………………………………………………………………52 第三節再現部……………………………………………………………………………………………………69 第五章結論…………………………………………………………………………………………………………80 參考書目……………………………………………………………………………………………………………89

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