現今的台灣單身女性主體正面臨一場震盪轉變，將她們問題化與歧視化的論述依然存在，不過隨著她們在人數和消費上展現的驚人實力，另一股為她們平反的嶄新論述儼然已經發酵。《慾望城市》在此時登台顯得格外特別，因為它彰顯的正是某種平反之聲，在台灣女性觀眾群中引發極大迴響。事實上，近來許多電視劇或電影都在呈現類似主題，大眾媒體不斷聲稱再現與代理這群女性的主體和感覺，卻看不到本地女性如何在自我經驗上發出聲音。本研究希望藉由她們對《慾望城市》以及對自我詮釋的相互對應下，描繪出這群獨特女性閱聽人的主體輪廓。 / Nowadays the subjectivity of Taiwanese single woman is in the change. Although the discrimination discourse that constrains woman still exists, a new discourse is developing due to the increasing number of single women and their astonishing consumption ability. The coincidence of Sex and the City being on TV in Taiwan at this time is quite extraordinary because the drama itself reveals the new discourse popular among Taiwanese woman audience. In fact, recently many TV dramas or movies around the world all focus on this subject. Mass media constantly claims that it shows and represents the subjectivity and feeling of this group of women, but the point is what Taiwanese women think based on their own experiences is unknown. Thus, this thesis tries to portray these women’s subjectivity by examining how their interpretation of Sex and the City correlates with the way they view themselves.